A Quote by Sam Keen

Throughout my life, I've had different metaphors for freedom. At one time, it was skin diving. In the ocean you feel weightless; you escape from gravity. — © Sam Keen
Throughout my life, I've had different metaphors for freedom. At one time, it was skin diving. In the ocean you feel weightless; you escape from gravity.
If I didn't travel so much, maybe my perfect Sunday would be skin diving on a coral reef - not scuba diving, as skin diving is more physical, and I prefer the lightness of it. Skin diving means wearing just goggles. Oh, I could wear some trunks, maybe.
My grandfather was Jacques Cousteau, a pioneer of ocean exploration and the co-inventor of scuba diving. Back in the 1940s when he tested out his invention which allowed humans to swim freely in the ocean with a portable air source for the first time in history, very little of the ocean had been explored let alone captured on film.
In search of love and music My whole life has been Illumination Corruption And diving, diving, diving, diving, Diving down to pick up every shiny thing
I do an awful lot of scuba diving. I love to be on the ocean, under the ocean. I live next to the ocean.
What we did is we went on those parabolic flights, which people like to call the vomit comet. Basically, the plane throws you up into the air and catches you. And for about 30 seconds, you feel like there's no gravity. So what we did was we did a series of eight of those in a row. And every time we landed, we stayed perfectly still for the five minutes in between while the plane is setting up so that we could just continue the routine where we had left off. So the final video you see is all one take. And we seem to be weightless the entire time.
Throughout the course of my life, I have been very fortunate to have had excellent teachers - not just in meditation, but in martial arts, music, scuba diving, and in my academic education.
My first breath was just...it just seemed impossible that you could actually breathe underwater. I knew in my mind it was possible, but actually experiencing it was such a gulp of joy and I feel it every time I go under the ocean. I love doing it, to be able to feel weightless, to spin on one finger, to do somersaults, to be like a graceful ballerina - even with a huge tank on your back you can do the most extraordinary things.
I made a lot of friends at school, and they were all Africans. I could have felt very different. I didn't feel different, I didn't notice the color of their skin, I didn't notice the color of my skin and I have remembered that all my life.
It's been tough throughout my career having different coaches and different philosophies, different style of plays throughout this entire time.
I felt that I could swim for miles, out into the ocean: a desire for freedom, an impulse to move, tugged at me as though it were a thread fastened to my chest. It was an impulse I knew well, and I had learned that it was not the summons from a larger world I used to believe it to be. It was simply a desire to escape from what I had.
The hope of the nation which throughout the nineteenth century had not for a moment reconciled itself with the loss of independence, and fighting for its own freedom, fought at the same time for the freedom of other nations.
Diving is a leap of faith plus gravity.
What attracted me was less art itself than the artist’s life and all that it meant for me: the idea of creativity and freedom of expression and action. I had been attracted to painting and drawing for a long time, but it was not an irresistible passion; what I wanted, at all costs, was to escape the monotony of life.
I miss the ocean. I miss diving into the cold water and coming out a new man. On the road it's hard to get that feeling. Showers are okay, but there's nothing quite like being in the ocean.
I needed my life as a springboard for my fiction. I have to have something solid under my feet when I write. I'm not a fantasist. I bounce up and down on the diving board, and I go into the water of fiction. But I've got to begin in life so I can pump life into it throughout.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
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