A Quote by Sam Kinison

It was great to be the rock comic, the shock comic. But after you've played Giants Stadium with Bon Jovi in front of 82,000 people, after you've done the 'Wild Thing' video with Jessica Hahn and every rock band from hell, you're not gonna top that.
With how huge Yes was, especially in the '70s and '80s, as a touring band and actually playing at the JFK Stadium in Philadelphia to 130,000 people, which is the biggest-paying show ever in rock history, you would think we'd done enough for the Rock and Roll Hall of Fame.
Queen and Bon Jovi, Aerosmith and Guns N' Roses - I had a huge rock-band mania. I play a little bit of drums.
You know, the loudest stadium I've ever played in was 45,000 people at War Memorial Stadium in Little Rock, Arkansas. The entire thing is concrete. It's like dropping a ball bearing in your neighbor's basement.
If I did a Rock record, it would be equally as truthful because I love Rock. I had to actually sing to Bon Jovi one time and I felt like he believed me. He's one of my favorite artists, so there's nothing better than the truth.
This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.
Singing karaoke is my worst nightmare. But in the car, I rock out to anything Bon Jovi or Beastie Boys.
Kansas has always considered itself a "rock band" - some people might say "symphonic rock band," others might say a "classical rock band," but we've kind've prided ourselves on being a rock band. Kansas rocks.
I wanted to be Jon Bon Jovi and Bono. But I'm not that cool. I don't need to be. I'm not a rock star. I am who I am.
Before I went off to Rutgers, I worked in a comic book shop in my hometown. At night, I would work on some comic stories, and after a while, I developed an idea for a weird little superhero spoof comic called 'Cement Shooz.'
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
We once played Strathclyde University's student union where they had a crash barrier in front of the stage. I thought that was a little over the top until the gig started and there was this crush at the front. They were even throwing beer bottles - it was wild. You'd have thought we were a rock group instead of a barbershop quartet.
Every comic is really a frustrated rock star.
Oh the wild joys of living! The leaping from rock to rock ... the cool silver shock of the plunge in a pool's living waters.
When you are a rock star in front of 20,000 people, you receive instant gratification. A rock star on tour is a king in his domain.
The one thing you don't want to be is a sucky clean comic. I hate sucky clean comics! It's like Christian rock, bro. I'd rather listen to gospel and Christian rock. That's cheating!
Prog-rock and concept records and some ambitious projects were kind of anathema post-punk. They were destroyed with the advent of punk rock. You don't necessarily need to have a degree in music composition to play in a rock band anymore, which is a great thing.
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