A Quote by Sam Levenson

When I came home and showed my mother my report card with a mark of 98 in arithmetic, she wanted to know who had gotten the other two points. — © Sam Levenson
When I came home and showed my mother my report card with a mark of 98 in arithmetic, she wanted to know who had gotten the other two points.
My mother was a powerful influence. She made me toe the line. If I didn't have a perfect report card, she showed her disappointment.
i remembered the myth about Andromeda and how she had been chained to a rock by her own parents as a sacrifice to a sea monster. Maybe she'd gotten too many F's on her report card or something.
I came home to four children, and I came home to two tombstones. My mother was in one and my grandmother was in the other. They'd both passed away while I was in prison.
[My mother] worked at thrift stores and she didn't have a high school education. She sacrificed everything she had for me and my brothers. I never went without. She showed me that she could put food on the table, buy us Jordans, we had the best clothes and she worked two-three odd jobs.
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
My mom and I were super tight. I think she really wanted me to be an artist, you know? She used to like to tell people she wanted to be Beethoven's mother. That was her thing. She wanted to be the mother of this person.
I cut 'Diamond in My Crown' in my home in Georgia, because I wanted to use an old 1848 pump organ that my mother-in-law had gotten for Emory for Christmas one year. His mother would be proud to know that pump organ was made use of.
In 2008, while I was shooting a TV show, a woman came all the way from Odisha to Baroda to meet me. It turned out she was newly married; she said she had run away and wanted to marry me! We had to call the local police, and it turned out her family had filed a missing person's report.
When I brought home a 98 percent on a test, my father would say, 'Ah, ah, where are the other two points? Go and get them, then bring them back.' My father and Nigerian culture has always stood for excellence.
I think Princess Diana enjoyed it here in Pakistan immensely. She had a good time. But she never came to my family home. She came to my home in Lahore instead.
Even his highly emotional Italian mother didn't believe that true love could blossom overnight. Like his brothers and sisters-in-law, she wanted nothing more for him than to marry and start a family, but if he showed up at her doorstep and said that he'd met someone two days ago and knew she was the one for him, his mother would smack him with a broom, curse in Italian, and drag him to church, sure that he had some serious sins that needed confessing.
My mother is home. Your mother is your home. Everybody is a momma's boy or a momma's girl. That's where we came from, from a woman's womb. She always gave me good advice because mothers know best at times. She gives me advice and I take it, run with it and share that with somebody else.
I think my mother became the muse because she had everything when she was in Hollywood: she had the marriage, the success, the money, all the films she wanted to do and yet even her, she had a longing and wanted to work with a film that had meaning, something more profound. And I think that was very touching to father.
My mother wanted to be a mother. That's the only thing she wanted from the bottom of her heart. She didn't want to be the number one actress - which she was - and she didn't want to be this great legend. All she wanted to be was a mother and she did but God took her away. So I always will empathise and sympathise with women.
In one family, all goes by two and two. If a member of it has any interest, he or she will confide it to some one other; but the rest know nothing. In another family, all feel what touches one; nothing is kept dark from the father and mother, brothers and sisters--all share. This family habit is by far the better, it strengthens the tie between the members, and makes the home one home.
A lot of people say that Eleanor Roosevelt wasn't a good mother. And there are two pieces to that story. One is, when they were very young, she was not a good mother. She was an unhappy mother. She was an unhappy wife. She had never known what it was to be a good mother. She didn't have a good mother of her own. And so there's a kind of parenting that doesn't happen.
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