A Quote by Sam Levinson

I remember John Waters's 'Pink Flamingos,' that was the film where I realized you could do anything you want - there were no boundaries. — © Sam Levinson
I remember John Waters's 'Pink Flamingos,' that was the film where I realized you could do anything you want - there were no boundaries.
I met John when I was 18 and I was in my first John Waters film when I was 19.
I love John Waters. There's stuff in it that's beyond the boundaries of my taste, but his movies have always been like that.
I remember, the first time I saw a [Andrei] Tarkovsky film, I was shocked by it. I didn't know what to do. I was fascinated, because suddenly I realized that film could have so many more layers to it than what I had imagined before. Then others, like Kurosawa and Fellini, were like a new discovery for me, another country.
[My catholic education] sticked with me. It caused the rage I had to make 'Pink Flamingos.'
I remember reading about police arresting this filmmaker making this freaky movie and his name was John Waters. And I was like, wow, someone in Baltimore is doing something creative? I didn't know there were people running off and making eight-millimeter movies. Then I got to New York and realized, oh, there's a whole world of people who do these things. I was utterly bored being in the suburbs, but I didn't know why I was bored.
John Waters has certainly gotten to a place in his life where he doesn't do anything he doesn't want to do. He's always been that way, but at this point, he's greatly respected for it.
I don't remember not dancing. When I realized I was alive and these were my parents, and I could walk and talk, I could dance.
A flock of flirting flamingos is pure, passionate, pink pandemonium-a frenetic flamingle-mangle-a discordant discotheque of delirious dancing, flamboyant feathers, and flamingo lingo.
It's the best part of the whole movie. John Malkovich with a pink pig is - you can't get better than that. Then John Malkovich alone and then you add a pink pig.
I'd like to work with John Waters. I grew up in Maryland, so I'm a huge Waters fan.
Do you own anything not pink? (Talon) I have a purple razor if you’d rather. (Sunshine) Please. (Talon) (She pulled out a darker pink one.) That’s not purple. It’s pink too. (Talon) Well, that’s all I have unless you want my X-Acto blade. (Sunshine)
Of course the Neverlands vary a good deal. John's, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents.
Did you know that Nuremberg courtroom was designed so that the Allies could project movies during the trial? And, also so that they could film the trial? The first movies that were shown were prepared by John Ford - a compilation of material from the liberation of Bergen-Belsen and Dachau. But here comes an interesting part. Did you know they lit (using fluorescent tubes) the defendants so they could be filmed watching the films that were shown during the trial?
I love John Waters. You see, I want to be the next Divine.
I realized that the way I approached architecture was with a somewhat fashion brain. That didn't get me very good marks in school, because everyone thought fashion was lightweight. In architecture they say, "Well, why is the door pink? Where does it go? What does the pink mean? What does it symbolize? All the other doors are beige, why is that one pink?" I was like, "Well, it's pink because it's pretty."
Remember that film 'Sliding Doors,' when John Hannah woos Gwyneth Paltrow by reciting Monty Python sketches? I can tell you now that doesn't work, so that film's wrong.
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