A Quote by Sam Levinson

I feel very strongly as a writer and as a director it is not my job to crush the audience's imagination. — © Sam Levinson
I feel very strongly as a writer and as a director it is not my job to crush the audience's imagination.
To put it simply, I'm not interested in making comfortable films, and I don't want to crush the audience's imagination. I want them to feel like they might have missed something.
The director is simply the audience. So the terrible burden of the director is to take the place of that yawning vacuum, to be the audience and to select from what happens during the day which movement shall be a disaster and which a gala night. His job is to preside over accidents.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
Every writer has characters that they become attached to and that they feel very strongly about.
Very rarely have I worked with a director where we've been at odds. And by the time you've actually talked to somebody and you have the job, there's something that they see in you that they want you to bring to the character. And the best director says very little to you, acting-wise. They usually just say, "Okay, here's the shot." It's their job to do all that stuff, and your job's to do the acting. So it's very rare that somebody will say, "Oh, no. I conceived this very differently".
I feel very strongly we need to do a better job with the rainy day fund.
Yes, I do bring something of my own to the plate. But I strongly believe that a film is a director and writer's vision.
I don't think it's so important to be a movie director. It's a beautiful profession, but no more than to be a cartoon writer. A very rich cartoon writer. I've done a lot of films, and I know deeply that, in all of cinema, there is no director who is as good as Shakespeare.
One of the things that's awesome about being an actor is that you get to do stories, live lives and have experiences that you never could have even conceived of, and that's because you're living in another writer's imagination and another director's imagination.
Oh, my god," Augustus said. "i can't believe i have a crush on a girl with such cliché wishes." "i was thirteen," i said again, although of course i was only thinking "crush crush crush crush crush". I was flattered but changed the subject immediately.
My job as an actor has inspired generations of children to become doctors. My job as a writer has opened up the minds of millions. My job as a director has produced masterpieces that will be taught in film school for ages.
I'm not interested in the director's commentary stuff. I think that stuff is really boring. And, if the director explains too much, it takes a certain mystery away from the interpretation that is very important for the audience to have. The audience should have their own interpretation.
As a director, I do very few takes, because I feel like you hire the right actor and they'll do the job right. And the directors that I've worked with and had the best luck with - Jason and [ Steven] Soderbergh and the Coen brothers - all have been that kind of director.
Everyone wants to be a writer, director, producer. I don't have the imagination for that, but, hopefully, I can continue to act.
I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.
I don't let myself believe in writer's block. I feel very strongly writing is habit as much as an art or a craft. And if you write crap, you're still writing.
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