A Quote by Sam Levinson

I studied method acting for four years and I'm a big believer in the idea that it's not about the actual experience itself. You don't have to go through exactly what this character has gone through.
I had 11 years of managerial experience and four years of coaching before I managed a big-league team. To me, it was important, because I learned a lot through trial and error. And it's tough to have to go through trial and error when you're a big-league manager.
I'm 25, so I've already gone through what my character Ged goes through, though it's on a general scale because I haven't studied at a wizard's school.
A lot of people think teenagers haven't gone through anything in their lives - they're not even 20 years old yet. But a twenty-something can go through the same type of experience or heartbreak that a 50-year-old can go through, so why does age matter?
Broadly speaking, there are two kinds of acting: character acting and lead acting. And in my life, to begin with, in the 1980s, it was all character acting. And then when, by fluke, through 'Four Weddings', I got into doing lead parts, it's a completely different thing.
I get through difficult situations by looking at how other people have gone through them. I say to myself, 'If they can go through it, then I can.' Or, If they can go through worse, I can go through whatever I'm going through.
I'm a big believer in, no matter what you go through in life, as long as you can laugh your way through it, you're going to be okay.
It is very hard to enroll people in anything. And there is a very big difference between the words motivate and inspire. Motivation means we have an idea and we are going to carry through on that idea. We work hard at it, and we are disciplined. A highly motivated person takes an idea, goes out there, and won't let anybody interfere with them. Inspiration is exactly the opposite. If motivation is when you get hold of an idea and carry it through to its conclusion, inspiration is the reverse. An idea gets hold of you and carries you where you are intended to go.
To me, the excitement is in ordering a fine shotgun, going through the process that everybody who has bought one has gone through for 100 years. You order it, you make a significant down payment, and then you wait three or four years for the gun to be custom-made for you.
John Cassavetes' films have really altered the way I see film and acting and storytelling and emotion and love, so I see acting as this incredible revealing of human nature and this means of telling our story, sharing our voice with the world. That's what acting is for me. It allows for people to experience things through the character, through the story.
Anybody who has gone through a life-changing experience will tell you there is a different understanding of what is real and what is important, and when you are going through different moments, you can reflect and go, 'I have been through worse.'
I think the very idea of character, of developing not just grit, but empathy and curiosity, emotional intelligence - you know, the things that I want my own daughters to develop - the idea that we're going to get there through rewards and punishments seems completely at odds with the idea of character itself.
My character had been in the chair for seven years. He had gone through his anger, depression, drug and alcohol abuse. He had gone through everything, now he was up, he was happy, he was filled with his dream.
Can you explore real issues as a fake character? Yes - it's called acting. Or fiction. But acting is not a method of engaging with the actual world, just as pretending to know what a character might eat does not a novel make - much less make that make-believe real.
Genuine spiritual knowledge lies not in wonderful and mysterious thoughts but in actual spiritual experience through union of the believer's life with truth.
I have ventured out and written about real-life experiences that I haven't gone through myself, but I've known people to go through them. In the past, I've always written about my experiences and people related to that, but there's a lot of other things that I've never written about that people have gone through.
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
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