A Quote by Sam Levinson

I am always curious to sit down with the actor who's playing the part after the casting process and get to know them, get to understand their life a little bit more. — © Sam Levinson
I am always curious to sit down with the actor who's playing the part after the casting process and get to know them, get to understand their life a little bit more.
I quite like the transitions of being an actor, because you get to explore these little pockets of life. So if you're playing a builder you get to know about building, if you're playing a scientist or a physician or something you get to know about physics. And similarly with this world I like exploring their culture, that very sort of upper middle class, addictive... that's part of the reason I love it.
When you get into the series, the progression is much different. You actually have breathing room and the chance to sit down with each actor, which was a part of our process, to talk to them about their pasts.
I'm not a technical person, at all, but you get a little bit more of a sense for how to get something done a little bit more efficiently. I think everybody is in that place where it's a little bit more efficient, but the process is still the same, which is still loose and collaborative.
I'm always amazed by writers who say, 'Oh you know I had a half hour so I sat down and wrote a little bit.' I just need a real big chunk of time to sit down and focus. That's my process.
I'm always amazed by writers who say, "Oh you know I had a half hour so I sat down and wrote a little bit." I just need a real big chunk of time to sit down and focus. That's my process.
I feel really connected to these young ladies I get to work with; I'm dancing around with them and playing music for them. We sit down and get to know each other so we have a shorthand.
You know it's always funny - the more legend awards you get, the closer you get to the grave, I guess, i am going full strength right now so it's great to get these while you're alive, I'd hate to get them after you're dead.
Process does matter; you need a process. What it is is up to no one but you. But if you can't sit down, write once upon a time, and go through however many hundred thousand words to get to happily ever after, you're never going to get anywhere.
I feel like I can't fully understand what's happening now until I really understand what's happened before. But you do get sort of bogged down a little bit when you're trying to study so many years' worth of music. It can be a little bit overwhelming.
I'm not so bothered by the audition process anymore; in fact, I use it. It's a time for the actor to actually get to the know the director and the producers a little bit, too.
All of my characters are a little bit based on people I know in real life. You know when you do that you have to change the character a little bit in case your friend or your relative reads the book, because you don't want them to know you wrote about them... They might get mad.
But I've always felt that the less you know about an actor's personal life, the more you can get involved in the story in which he's playing a character. And I don't like to see movies where you know about everything that happens behind the scenes. I can't engage in the story if I know what's going on in the actor's head.
"You are the actor, and I understand we already had our sit down, you explained your concept, your view," so I said, "Okay, I'm in your hands." That means that if you've got to nudge me a little bit to the right I move to the right, just from the pressure, weight, but you won't have to touch me at all. You can come and go "Okay, you want me over here a little bit more," so no pressure on us at all that's easy to do.
I'm not familiar particularly with Hillary Clinton's neighborhood, but I wish people were a little bit more curious about what we call privilege and about why it's there. Black people in this country have no choice but to be curious. We have to know. I wish folks would do a little bit more investigation.
I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.
The most exciting part of the casting process was casting out of Israel, which was a really unique process, mainly done remotely from California, looking at casting tapes.
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