A Quote by Sam Levinson

If you're working in close-ups, then an actor is only able to act with his head. I like an actor to act with their entire body. — © Sam Levinson
If you're working in close-ups, then an actor is only able to act with his head. I like an actor to act with their entire body.
To be an actress and act crazy is really fun for me, to be able to be acting like you'd never be able to act in your real life and scream and freak out. It's an interesting test for an actor.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
You don't pay an actor to act. An actor will do that for free because we love to act. You pay an actor to wait.
Working with Jean-Claude is a lot of fun. Because he's a great actor who also happens to be a fighter. That combination doesn't usually come together anymore. Usually, you have to fight the stunt double and then act against the actor. In his case, you are fighting with a real guy. It takes a minute to get used to that. Because it doesn't happen any more.
If you're working opposite an actor who can act, then all you have to do is listen and respond.
A man never forgets his body the way a woman does, because a man is pushing his body, a part of his body, forward, to make the act of love happen. He brings the jut of his body into the act of love, then takes it back, when it has had its way.
The [Great] Actor is able to approach in himself a cosmic dread as large as life. He is able to go from his dread to a joy so sweet that it is without limit. Only then will the actor have direct access to the life that moves in him, which is as free as his breathing. And like his breathing, he doesn't cause it to happen. He doesn't contain it, and it doesn't contain him.
When you start as an actor, you can only hope you'll be able to act at all - let alone on a show that lasts seven seasons.
I don't just act, and that's really important to me. I don't want to just be an actor forever. I want to score movies. I could be an actor first, but I don't only want to be an actor.
Remember that you are an actor in a drama of such sort as the Author chooses: if short, then in a short one; if long, then in a long one. If it be His pleasure that you should enact a poor man, or a cripple, or a ruler, or a private citizen, see that you act it well. For this is your business, to act well the given part. But to choose it belongs to Another.
I never was able to do karate. That's calling me a good actor. I act like I can do anything.
An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots.
It's very hard to tell an actor, 'Stop acting.' It's easy to tell a non-actor, because they're embarrassed when they act. They get ashamed when they do something cliche, whereas an actor is happy.
I wanted to be an actor. Maybe a comic actor, but an actor. That's what got me into acting was putting on an act, because in life, I wasn't funny and I felt on stage or in the movies, I could do whatever I wanted to. I was free.
This was basically the first time I got to act in action scenes, with things blowing up all around me. It sounds corny, but I think every actor would like to - at least once in his or her career - play the person who saves the entire world.
I can act with either eye, but you've got to be twice as good as an actor to act with one eye. You need to put all your emotions just through one eye and really punch it out of that eye. I found it quite difficult to do at first, and then I found a technique that allowed me to act with one eye, which I patented.
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