A Quote by Sam Levinson
For me, there's far too many close-ups in film. They're a television technique.
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I had a big problem working with stars, because they are too expensive and have too many demands. Their names help you raise the money to make the movie, but then they demand close-ups. They change things. You end up doing things at their service instead of servicing the film.
If you push in every time there's a big moment, then the tenth time you push in, you're not going to get the same effect. Or if you have too many close ups, then when you have a big moment and you want a close-up in order to make a point, it doesn't mean anything because you've already been doing close-ups. It's like writing in all capitals. Then after a while that doesn't mean anything. So, just because you can do something with a camera doesn't mean you should.
If you were to hold me down and tickle me to pick my favorite 'plus-comic,' it would have to be Kevin James, a broad physical pratfaller capable of deadpan underplay, a technique honed from years of reaction-shot close-ups on TV, where every teeny fraction of a squint registers.
I find that when one has worked long enough, technical know-how becomes almost irrelevant. In photography, it's not difficult to reach a technical level where you don't need to think about the technique any more. I think there is far too much literature and far too much emphasis upon the techniques of photography. The make of camera and type of film we happen to use has little bearing on the results.
The most sublime truth of all has never been stated or written or sung. Not because it is far away and can not be reached, but because it is so intimately close, closer than anything that can be spoken. It is alive as the stillness in the core of your being, too close to be described, too close to be objectified, too close to be known in the usual way of knowledge. The truth of who you are is yours already. It is already present.
While there's currently great turmoil, there is even greater opportunity for US to work together to transform our community. Far too many of our children are fatherless, far too many of our mothers are standing in the prison waiting rooms and far too many of our young people feel hopeless.
Theater is completely different from film or television. It has a beginning and a middle and an end and it's different every night. And it's far preferable to any other except in the sense of not getting paid, people who want to eat should do film and television.
I had someone very close to me say to me that hopefully I’ll have many more ups and downs, not in just my career but in life. If you don’t have that, you’re not taking enough risks.
The smug complacency of technology adverts disguises a pretty mixed picture, with too many people not connected, too many passive users of technologies designed for interactive, and far too much talk about empowerment but far too little action to make it happen.
I've been lucky enough to do theatre, film, and television for a career. Unless I get offered a job as an astronaut, I won't stray too far from it.
One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.
When I started, you didn't focus so much on production, certainly not - gosh - down to the finest little detail of how you shifted your eyes or how you turned to somebody. A lot of the shots were far away from a still camera. There weren't as many close-ups and intimacy.
I've done a lot of theater work that has been quite diverse. I feel very fortunate to have had many different people think of me in many different ways. So, as an actor that's all you - all I want is diversity. So far in film and television work I have done has not been as diverse, and I hope it grows to be.
As a film director I like to have the actors create their own close-ups. It's an older style of filmmaking.
Your friends and your family, if you're close to them, they won't let you get too far from who you were or from who you are. And so I love staying close to people who've always known me. That's probably the best leavening that you could possibly have.
I didn't start out thinking that I could ever make films. I started out being a film lover, loving films, and wanting to have a job that put me close to them and close to filmmakers and close to film sets.
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