A Quote by Sam Lloyd

'Desperate Housewives' worked out beautifully. I went out for that before it began airing, and no one had any idea it was going to turn into what it did. — © Sam Lloyd
'Desperate Housewives' worked out beautifully. I went out for that before it began airing, and no one had any idea it was going to turn into what it did.
I worked at 'Mademoiselle,' and then it shut, and I worked at 'GQ' for three years, during which I was freelancing. I wrote for 'Vibe.' I did music reviews. I wrote for 'Time Out.' I was desperate to get into 'Entertainment Weekly' or 'New York Magazine.' Like, desperate.
I'm a black male, over 40, with no kids, living in the suburbs - they wanted to put me in a museum. Why did I move to the suburbs? I started watching Desperate Housewives. If comedy didn't work out I can always try gardening.
Signing up for 'It Follows,' I didn't have any idea it was going to turn out the way it did, but seeing it, the music and the feel of it definitely was pretty amazing, getting that kind of throwback feel to classic horror movies.
I don't really have any advice, other than to say it's the most appallingly difficult thing I've ever tried to do and I wish I had a better idea of how to do it. In my experience what you end up with is the by-product of your failure to achieve what you set out to do. It may turn out OK, but it wasn't what you meant and you've no idea how you got there.
After I got kicked out of CalArts, I moved to Lawrence Kansas where my sister lived. I began working on A William S. Burroughs documentary. I had no idea it would turn into such a big film.
I worked two days in Texas and two days in Hollywood on 'Bonnie and Clyde,' and that was it. I had no idea how it was going to turn out. And when I saw it, I was so upset, or fascinated, or something, by the sight of myself on the screen that I could hardly pay attention to the rest of the movie.
So that plan worked out well.' Skulduggery, your entire plan consisted of, and I quote, "Let's get up close and then see what happens."' All the same,' he said, 'I think the whole thing worked out rather beautifully.
None of us had any idea of how successful Downton was going to be. I thought I was signing up for another period drama that had a slightly modern feel. It had a freedom about it because it was coming out of the head of Julian Fellowes. Anything could happen and generally did.
I've had projects before where everyone says 'This is going to be the big thing,' and it doesn't really turn out to be. Then there is a little project you do and forget about, and then it comes out, and it's huge.
I was desperate for a friend, and I used to lie in bed at night thinking about what it would be like. My younger brothers and sisters had friends, and I used to watch them playing to try to work out what they did and how friendship worked.
I had a teacher at school who said, 'We are going to do a play next year, and you're in it.' He said, 'You should try out for the Royal Academy as an actor.' I did and got in. I was 17. My mum wasn't too happy, but it worked out OK.
I had no idea In-N-Out was going to fall on my lap as soon as it did.
Before WeWork, I had a baby clothing company. When I started out, I had no real contacts in the garment business and no mentor to guide me on how things worked. I just had an idea to put pads on the baby clothes on to protect the baby's knees.
'Desperate Housewives' - there's no man on the planet that takes that personally, but if it were 'Desperate Househusbands,' they would shut ABC down.
Having agreed to play Elrond, I realized how much had to be worked out about this character: the idea of portraying someone who is immortal, for one thing; plus the fact he is noble, wise, powerful, good - and beautiful! I began to think that he was altogether impossible to play!
I refused to accept anything, doubted everything. So, doubting everything, I had to find something that had not existed before, something I had not thought of before. Any idea that came to me, the thing would be to turn it around and try to see it with another set of senses.
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