A Quote by Sam Messer

In a very small way, painting addresses the 'Big Questions' to which we'll never find the answers. You do what you have to do even if it seems hopeless. — © Sam Messer
In a very small way, painting addresses the 'Big Questions' to which we'll never find the answers. You do what you have to do even if it seems hopeless.
I think as you grow up and you see things which are around you and you ask questions and you hear the answers, your situation becomes more and more of a puzzle. Now, why is it like this, why are things like this and since writing is one way in which one can ask this questions and try to find these answers, it seems to me a very natural thing to do, especially as it meant stories which I always found moving, almost unbearably necessary.
Over the years I've never written or made movies about political themes 'cause while they do have current critical importance, in the large, large scheme of things, only the big questions matter and the answers to those big questions are very, very depressing.
Why ... did so many people spend their lives not trying to find answers to questions -- not even thinking of questions to begin with? Was there anything more exciting in life than seeking answers?
Why do I write about China? That is a very good question. I think there are questions about China that I haven't been able to answer. The reason I write is that there are questions to which I want to find answers - or I want to find questions beyond those questions.
As human beings, don't we need questions without answers as well as questions with answers, questions that we might someday answer and questions that we can never answer?
I try to take large, general questions that are difficult to resolve and break them down into small, very specific questions that have clear answers.
I wanted to answer big questions about humanity, about how it is that we understand about the world, how we can know as much as we do, why human nature is the way that it is. And it always seemed to me that you find answers to those questions by looking at children.
Information can tell us everything. It has all the answers. But they are answers to questions we have not asked, and which doubtless don't even arise.
Ask BIG questions, find BIG answers.
To my mind, the best SF addresses itself to problems of the here and now, or even to problems which have never been solved and never will be solved - I'm thinking of Philip K. Dick's work here, dealing with questions of reality, for example.
Science goes from question to question; big questions, and little, tentative answers. The questions as they age grow ever broader, the answers are seen to be more limited.
Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here - is - away from the easel - into some sort, some kind of wall, wall painting.
If you want to find the answers to the Big Questions about your soul, you'd best begin with the Little Answers about your body.
Indeed, the only truly serious questions are ones that even a child can formulate. Only the most naive of questions are truly serious. They are the questions with no answers. A question with no answer is a barrier that cannot be breached. In other words, it is questions with no answers that set the limit of human possibilities, describe the boundaries of human existence.
We used to have lots of questions to which there were no answers. Now, with the computer, there are lots of answers to which we haven't thought up questions.
Losing It Some days I think I'm losing my mind. What seems so clear most of the time becomes a big question mark. Am I really the way I percieve myself, or is the person others see the truth of me? I wait for answers, but inside I know I have to go out and find them. And answers like knowledge, are not always where we first look for them.
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