A Quote by Sam Mikulak

I listen to music that doesn't have words. I love Kygo - he's tropical house, and that's my stuff! — © Sam Mikulak
I listen to music that doesn't have words. I love Kygo - he's tropical house, and that's my stuff!
Well, I was a real late-comer to listen to music, actually, because my parents - first of all, my parents weren't big music fans. They didn't listen to music. We didn't really listen to stuff in the house.
I listen to purely Christian Worship Music, Christian Rap etc. People will give me some old music, stuff I used to listen to back then and when I listen to the words, it blows me away.
I often haven't heard the music since I've recorded it. I don't listen to it. When I do hear it, like at someone's house, I'll listen. I'm probably the most pleased with the stuff I did with New Grass Revival.
The secret of understanding poetry is to hear poetry's words as what they are: the full self's most intimate speech, half waking, half dream. You listen to a poem as you might listen to someone you love who tells you their truest day. Their words might weep, joke, whirl, leap. What's unspoken in the words will still be heard. It's also the way we listen to music: You don't look for extractable meaning, but to be moved.
Growing up, my grandmother did not want worldly music in the house. Then when I went out to California, I started listening to Spanish music, mostly Mexican music. But were I in Egypt, I would listen to the music of the people, or if I was in Italy, I'd listen to Italian music.
My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
When I started making my tracks in the style that people call tropical house, I didn't do it on purpose to make it sound tropical. I made whatever I felt sounded good. I just wanted to make my own thing, and then suddenly people started calling it tropical ... I'm like, 'Yeah, that's probably a good name for it.'
I listen to all types of music. I listen to a lot of hip hop, but I also listen to pop and house music. I really, really like smooth jazz.
A lot of punk rock. I listen to various stuff just cuz my friends now listen to a lot of different bands. I listen to a lot of underground stuff like jungle music.
I listen to a lot of different music. I love hip-hop. I'm a big underground rap fan. I listen to the likes of J. Cole. Lately, I've also been getting into techno house music. And I've been on an Eighties retro kick, and I've even been experimenting with some rock.
Growing up in a house where there was a lot of different musical influences - my mom listens to soul stuff and Top 40, my sisters would listen to hip-hop - and the church, I grew up listening to a lot of gospel stuff. So I think that plays a role in how I make music now because my music has a lot of range. I don't just do one thing.
I listen to so much, I listen to a lot of reggae. Obviously I listen to hip-hop, that's what I make. I listen to soul. I love jazz. I love all types of music.
I like to listen to African music; I like to listen to Brazilian music that's not just Choro. I love to listen to Radiohead, I like to listen to James Brown - any music.
In the digital age we're in now, with satellite radio and Pandora and stuff like that, it's not about, "I listen to this kind of music." It's about, "I listen to good music and bad music."
I love my family's music because I love it. It's good. I listen to the Winans all the time. I listen to BeBe and CeCe. I listen to Angie and Debbie. I listen to Uncle Daniel. I listen to Phase 2, my two brothers and my two cousins. I think they're incredible.
If you listen to Bryson Tiller's record, there's some real music. There's some trap stuff, but if you listen to what's on top of that stuff, that's real music. I look at that and I know it's real. I respect it immensely.
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