A Quote by Sam Neill

I like actors. I like their insecurities, their humor and their intelligence. — © Sam Neill
I like actors. I like their insecurities, their humor and their intelligence.
The first thing I look for is the humor, because you can tell what the character's fears and insecurities are through the humor.
The best everyday example of relativity, the finest symptom of human intelligence, is humor. (...) Design without humor is not human. The word 'beautiful' does not mean anything. Only coherence counts. An object, design or not, is primarily an object that meets the parameters of human intelligence, which reconciles opposites. The lack of humor is the definition of vulgarity.
I like to work and there's no movies for actors, period, especially black actors. When white actors are like, 'Man, there's no work out there,' then black actors are like, 'Are you kidding me?'
I like doing comedy, I like doing drama. Naturally I like to do, I like doing dramas, I like conflict, and when I do a comedy, you know, I've found that, like, romantic comedy is the trickiest one, because often it's neither: it's not romantic and it's not funny. So, like, I like a comedy that's biting. It's biting humor or really quirky humor.
Most of the intelligence out there must be artificial intelligence. We keep looking for critters like us living on a planet like ours, where in fact the majority of the intelligence out there is not biological. That would be my argument.
I seem to be able to disassociate my insecurities. I know a lot of actors - some of the best actors in the world - can't bear to watch themselves and I have to say I can't relate to that.
When I work on something I'm not excited about or not as proud of it as I'd like to be, then I try to work even harder to make the next one and address those insecurities, I tackle insecurities rather than run from them.
As the ego becomes strong it starts surrounding intelligence like a thick layer of darkness. Intelligence is light, ego is darkness. Intelligence is very delicate, ego is very hard. Intelligence is like a roseflower, ego is like a rock. And if you want to survive, they say - the so-called knowers - then you have to become rock-like, you have to be strong, invulnerable. You have to become a citadel, a closed citadel, so you cannot be attacked from outside. You have to become impenetrable.
I feel like I don't really have a sense of humor... I don't know if I could characterize it dark or light. I just - I do like humor.
I don't like jokes in speeches. I do like wit and humor. A joke is to humor what pornography is to erotic language in a good novel.
I like telling stories with a sense of humor. But humor can also distance you from the subject you're writing about. I'm interested in using humor as a portal to something a bit more serious.
I like actors who are themselves. I know in America you like actors who change their nose or wear a lot of wigs, and they like to take pretty girls and make them super ugly.
I think in general, people look at all Olympic athletes, look at all superstar athletes, and they say, "Okay, this guy doesn't have any insecurities." They're almost like these icons who - I don't know how to say it, but like they can't make mistakes. But the reality is, and I'll tell you this firsthand, a lot of great athletes have a lot of insecurities, and they have a really hard time dealing with a lot of so-called losing or however you want to classify it.
I just happen to like the work. I like preparing for a role. I like reading. I like analyzing. I like literature. I like emotions. I like working with other actors.
I think it just seems like something that somebody else does, like they raise actors somewhere in Ohio, and once in a while, people go and pick their actors and move to Hollywood. It seemed like such a distant idea. But then, as I started growing up, I'm like, 'Oh, this is an occupation.'
I always had to genuinely like the actors I worked with and use my enthusiasm and vision to give them confidence to push their creativity and their humor.
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