A Quote by Sam Neill
In the case of Wilderpeople, I walked on the first day with some apprehension actually; because it doesn't come anywhere close to anything I've really played before, this part.
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It's exciting because No Doubt has never played Rock in Rio before. It's actually an honor to be a part of such an iconic festival and the really cool thing is that the lineup is so diverse and it's got something for everyone.
Working on 'Fresh Off the Boat' has been really enlightening to me because it's made me actually think about the roles that Asians and Asian-American women have played in media. Not because I didn't think it was important before, but because before, I was really focused on just paying my rent.
Some of the best movie experiences I've had are when I just walked by the theater and decided to see a movie I hadn't heard anything about and bought a ticket, because that's really the first time you can experience it untainted.
I have this theory that people are actually really hungry for sonic space and understanding words, and I think that people are ready to look back and actually appreciate some of what came before. And then you really do have the entire movement that I'm just going to call feminist, because I am a feminist. I think the education of young girls and women about what came before has started and I think that the knowledge of Fanny is part of that.
There was a time when I really wanted to do films, but they didn't come my way. I would come close and the next day suddenly I'd realise that I am not a part of the film anymore. So that's how television happened.
Basically, at some point, one day maybe you can expect to hear some of my music. I haven't really done that yet because my younger brother is a musician and really talented and I want him to come out with his music first.
'Before I Ever Met You' was the first one to come out and that just dives into the grit, and it's pretty graphic about a relationship. For my first song, it was very special the way it happened, because I didn't really hold anything back, and people responded to it.
My father actually moved out from Chicago just so he could play tennis 365 days a year, so it was - it was a place we played every day. We played before school. We played after school. We woke up. We played tennis. We brushed our teeth in that order.
When I was 15, I was asked to do 'Cyrano de Bergerac' at school, and it fundamentally changed my life. It's obviously an extraordinarily diverse and potentially electrifying part. It's a big leading part, and I hadn't really played anything like that before; I was the one doing the comedy side bit.
So, it's always different. Some stuff, you want to do because it's a part that you've never played. It's always for story. Sometimes there's a story that you really dig, but there's no part that you're interested in. Sometimes you read a story and you say, "I could do that. I've never done that before. I could do play that part.
I come from a very big family from every economic background. Some of the streets I talk about, I've actually walked on because I have family from there. Jamaica has so many contradictions.
For me, coming up, the first I had ever heard of basketball? It was from my mom. She was a really good player back in her day, and even played college ball at Kentucky State. And then she went on to become a coach and an AD after that - so she always stayed real close to the game, and kept it a part of her life.
The first day of 'Liberty,' I was hanging around waiting for Ford to come in. Everybody told me how tough he was and not to say anything, or he'd single you out and get on you the whole shoot. But as he walked in, I got up and saluted him.
I come home more exhausted after a day of emotional work on set than I've ever had in any sporting event I've played or anything. It's draining. But it's also part of the fun.
When what you do is play characters, every day, all day, I wasn't really interested in playing a pop star on the weekends. I wanted to be myself, and it slowly turned into not being me at all, so I just didn't really see the point. If the music actually happens, at some point, it will be because some underground following happened, or some little elves heard it and were leaking it.
He [Taika Watiti] worked on this screenplay for a couple of years and just getting it right and the result is there. He's made really close to a perfect film [Hunt for the Wilderpeople]... Perfect as you can be.
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