I hear about actors being exterior actors and actors being instinctual actors and I always think it's crap. Anybody who knows anything about it knows that good actors do both - they do inside-outward and they do outside-inward. You can't not do both.
People imagine that actors are being offered everything and you are not. So things come in and sometimes there are things that I want and can't get a meeting on, or go to a different actors.
I like to work and there's no movies for actors, period, especially black actors. When white actors are like, 'Man, there's no work out there,' then black actors are like, 'Are you kidding me?'
To be honest with you, there's nothing that bores me more than sitting around with a bunch of actors talking shop. I love actors and I've got friends that are actors. They're interesting people. But for some reason, usually when it comes round to talking shop, there's a part of me that doesn't like it.
I'd love to perform with other actors and act with actors, true actors. I would like to be in a movie and have full room for acting.
Imported actors, like certain wines, sometimes do not stand the ocean trip. This can be as true of American actors in Europe as it is of European actors in America.
What's not to look forward to? It's like all the actors in all of the films. It's difficult to get Martin Freeman and I in a room together. Imagine what it's like to get myself, Chris Hemsworth, Robert Downey Jr., Elizabeth Olsen... these extraordinary actors who all have careers outside the Marvel Universe.
I've heard New York actors say Chicago actors intimidate them because apparently we're the real nitty-gritty actors who're in a town where being onstage doesn't necessarily get you anything except your craft.
Acting is not in the blood. My parents weren't actors, but I imagine that if you've been brought up with actors, you have a lovely time at home and just want that to carry on.
Basically, I would like to be considered for roles that are well-written. I think that part of the problem that we've had as actors is that they insist on looking at us as Latino actors and not as actors, period.
A pilot is like the most extensive dress rehearsal you can ever imagine, because the writers are learning about the actors, the actors are learning about the characters.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.
I really like to work with theater actors. Theater actors tend to do lots of independent movies, and those are the actors that I like.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
I love actors. Part of that is my theater background and being a writer who cares about performance. Actors have usually chosen their profession because they have a dream of doing it and they want to express something about the world. That's the same thing that I have with writing. Most of the good actors get into it for those reason, rather than for reasons of fame or fortune, or anything like that, and that's where I'm coming from, as a storyteller.