A Quote by Sam Neill
If you're making films in New Zealand, you can't avoid the landscape. It's certainly more handsome than I am.
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New Zealand was kind of getting a reputation for making middle-of-the-road films that weren't really that unique. They were kind of New Zealand versions of overseas films, and for sure, having an Oscar nomination totally helped me get funding.
I was living in the U.K. I was back in New Zealand for the New Zealand Music Awards, which is like our annual New Zealand GRAMMYs.
We've had a debate about immigration in New Zealand for some time. Now what we're trying to champion in that conversation is a recognition that New Zealand has been built off immigration. I myself am a third-generation New Zealander.
Certainly, when I left New Zealand, there was no career there as a comedian. I was doing more live gigs than anyone, and I was maybe doing three a week. Even then, it would often be the same people in the audience, going, 'I saw you on Tuesday, mate!'
Coming from New Zealand, all the music I listen to is not made by New Zealanders. People never come to New Zealand to play a show because it's in the middle of nowhere.
I have no desire to live anywhere else but New Zealand. I've had the good fortune to travel widely around the world, but New Zealand is home - and I like to be here. I'm proud to be a New Zealander.
I'm happy - at times - making films. I'm certainly unhappy not making films.
I am definitely going to continue directing, but I am always going to try to explore new ways of making films. It really is possible to make films in different ways.
New Zealand and SA should take this dimension into account, the skills South Africans are presently contributing to New Zealand.
I'm always going to be a New Zealand fighter. I'm a Kiwi, of course, and I've still got my New Zealand passport.
I want to be in New Zealand SO BADLY. I've dreamt about coming to New Zealand ever since I was a kid.
I might be one of the most flamboyant characters New Zealand has ever seen, but my intentions are good, and I would like to see New Zealand flourish.
I love New Zealand and don't get to come there much. The south coast of Australia and New Zealand have a similar vibration, and a lot of the music comes from this kind of space.
The rhythm of walking generates a kind of rhythm of thinking, and the passage through a landscape echoes or stimulates the passage through a series of thoughts. The creates an odd consonance between
internal and external passage, one that suggests that the mind is also a landscape of sorts and that walking is one way to traverse it. A new thought often seems like a feature of the landscape that was
there all along, as though thinking were traveling rather than making.
I moved to New Zealand from Winnipeg when I was almost five. I hated it. It was to a city in the south of New Zealand called Invercargill and there was constant rain. There was a depressing sensation in the air.
I lived with my godmother and mother in New Zealand until I was seven. They were both Jungian psychologists and had a homeless shelter for street gang members in New Zealand.
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