A Quote by Sam Neill

If you want to learn about America, watch 'The Wire.' It's a profound piece of entertainment. — © Sam Neill
If you want to learn about America, watch 'The Wire.' It's a profound piece of entertainment.
If you want to learn about America, watch The Wire. Its a profound piece of entertainment.
I believe that science fiction is as profound as you want it to be or it can be very simple entertainment, and I'm all for very simple entertainment. Every now and then we all need to come home, veg-out, watch something and not think too deeply about it. It's what you want it to be. We tend to steer clear of being pedantic; it's entertainment first, otherwise we'd be on a lecture circuit.
In fact, entertainment has taken the place of celebration in the present world. But entertainment is quite different from celebration; entertainment and celebration are never the same. In celebration you are a participant; in entertainment you are only a spectator. In entertainment you watch others playing for you. So while celebration is active, entertainment is passive. In celebration you dance, while in entertainment you watch someone dancing, for which you pay him.
'The Wire' fans are very specific and hard core. Nobody is neutral about 'The Wire.' You either love it, or you couldn't watch it, and there is no in-between.
I stopped watching TV because of 'The Wire.' Like, 'The Wire' ruined everything for me because I don't even want to watch anything else now.
It is entertainment; we mustn't forget that. Dance is entertainment. You can have the best technicians in the world, but they'll be boring to watch. It has to be about entertainment as well, but it's quality, grace.
Life is horrible, but it is not relentlessly black from wire to wire. You can sit down and hear a Mozart symphony, or you can watch the Marx Brothers, and this will give you a pleasant escape for a while. And that is about the best that you can do.
Automobile in America,Chromium steel in America,Wire-spoke wheel in America,Very big deal in America!Immigrant goes to America,Many hellos in America,Nobody knows in America,Puerto Rico's in America!I like the shores of America!Comfort is yours in America!Knobs on the doors in America!Wall-to-wall floors in America!
There are no happier people on this planet than those who decide that they want something, define what they want, get hold of the feeling of it even before its manifestation and then joyously watch the unfolding as, piece by piece by piece, it begins to unfold. That's the feeling of your hands in the clay.
I loved Rushmore. I loved the script. I mean, that is what drew me to it, just the actual piece of literature the script is. But I never thought in a million years that anyone would see it or respond to it. It was an absolute joy that it was so loved and continues to be. The same with The Sixth Sense. I thought, "No one's going to watch this. Bruce Willis hasn't got a gun. There's no shagging. Lovely story, sweet and profound about loss and death, but no one's going to watch this."
Sunday is like this entertainment scrum for me, because I've only got a day, one day of fun. So I want to have brunch, and I want to see a movie, and I want to watch 'Game of Thrones,' and I'm trying to watch 'The Sopranos' from the beginning, and I want to play four hours of video games. So, it's, like, as regimented as my work life.
I don't want to be a negative piece of barbed wire sitting up in the booth with all the answers. I think that's a turn-off.
I believe 3D is inevitable because it's about aligning our entertainment systems to our sensory system. We all have two eyes; we all see the world in 3D. And it's natural for us to want our entertainment in 3D as well. It's just getting the technology - it's really more the business model than the technology piece. We've solved the technology.
On the Web you have to sum up what your piece of content is in one link or nobody is going to watch it. That's the same thing I've been hearing from TV executives - is we need a program that you can have on the side of a bus and someone can watch it go by and get what the show is and want to watch it.
Audiences want great story telling; it's why white people watch my show 'Black in America.' It's why black people watch 'Latina in America.' All of that is statistically shown and proven but it was because it was good story telling about people who were outsiders.
If you want to be a photographer, particularly a photojournalist , you want to learn about the world. You want to learn about yourself. And you want to find things that you genuinely care about, because that will be the source of your greatest work.
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