A Quote by Sam Neill
I've worked all my life to shed myself of any character.
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As long as I can wear a wig I can be any character, and in real life I can be myself.
I've worked my butt off to get to where I am. I know that any chances that I'm getting is because I've worked hard and I've gotten myself to this level.
Of all the stars whom I worked with, I think Steve knew better what worked for him on the screen than any other. He had such a sense of what he could register, and that helped a lot in terms of shaping the character and the script.
When I thought of writing for Rajini sir, I told myself it will be a really cool character with a very happy-go-lucky attitude. We took such a character and placed him in a strong story, and I believe, as a combination, it has worked wonders.
I called it a baptism in flaming ink that forced me to shed my shyness about recognizing myself as a poet and to accept the fact that life had never given me any choice in the matter. And then I had to discover exactly what that meant.
I've been a witness to unfairness in society all my life. To the conditions under which my mother worked all her life, working in an industrial weaving shed in the north of England. And it has been this feature of unfairness that has motivated me in all of my political thinking.
I pride myself on doing character-driven movies and, when my movies have worked, it's been because of the right casting and the right character, and it just clicks.
If I speak with a character’s voice it is because that character’s become so much part of me that … I think I have the right then to imagine myself into the skin, into the life, into the dreams, into the experience of the particular character that I’ve chosen.
Making a film of a work you've played for six weeks gives you intimate knowledge of the character. By the time you go in front of the camera you've worked out the behavior and life of a character.
Any tear shed in sharing the heartbeat of God, any tear shed through Christlike loving empathy with our fellowmen, any tear born of the yearning constraint of the Holy Spirit is a tear by which we serve the Lord. Nothing pleases Christ more than for us to share with Him His burden for the world and its people. Nothing so weds us to the heart of Christ as our tears shed as we intercede for lost ones with Him. Then truly we become people after God's own heart. Then we begin to know what it is to be Christ's prayer partners.
I always see myself as a character actor, but Remington Steele was me. I gave up on trying to be any character. I just put myself as me in this world of Remington Steele and the grand pretender.
I try to research or make up for myself what happened in any character's life. From when he was born until the first page of the script. I fill in the blanks.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
I believe a good writer can write a good book with any sort of character, in any sort of setting, but I prefer to write about the outsider. It might just be because I've been one (or perceived myself to be one) for so much of my life. But the simple fact of being marginalized immediately brings conflict to a story before the narrative even begins, and that's gold for a writer because it means that your character already has depth before events begin to unfold.
Blaire, This teardrop represents many things. The tears I know you’ve shed over holding your mother’s piece of satin. The tears you’ve shed over each loss you’ve experienced. But it also represents the tears we’ve both shed as we’ve felt the little life inside you begin to move. The tears I’ve shed over the fact I’ve been given someone like you to love. I never imagined anyone like you Blaire. But every time I think about forever with you I’m humbled that you chose me. This is your something blue. I love you, Rush
When you step inside a set and transform into a character, it's your first brush with that role. It doesn't matter who you have worked with. Every character will be a first in your life as an artiste.
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