A Quote by Sam Neill

I'm not sure it's affection for Australian or New Zealand films or not. I think it's just that there's something about 'Wilderpeople' that has really struck a chord. — © Sam Neill
I'm not sure it's affection for Australian or New Zealand films or not. I think it's just that there's something about 'Wilderpeople' that has really struck a chord.
New Zealand was kind of getting a reputation for making middle-of-the-road films that weren't really that unique. They were kind of New Zealand versions of overseas films, and for sure, having an Oscar nomination totally helped me get funding.
New Zealand is a pretty no-nonsense place to work like Australia. I mean it doesn't falter to anyone. There's a nice sense of reality on the set and it's really enjoyable. There's a good camaraderie and a good banter between the obviously New Zealand and Australian rivalry.
I think it took us all by surprise. I mean, I knew that people in New Zealand would like [Hunt for the Wilderpeople], but no one really anticipated how much they would embrace it as it is. And it's playing widely in Australia now; they're running it as well. It's going to be interesting to see how it does it in the States, but I think if Sundance was any indication, I imagine it could do well.
It was very much an Australian/New Zealand initiative to have a nuclear free South Pacific. And the Americans were very apprehensive about this. So, I explained to them that, as far as I was concerned, this didn't involve any diminution in our commitment to the ANZUS relationship. But David Lange took it further and he barred visits of US nuclear warships to New Zealand.
There is a very special place in the Australian psyche for sport. It is one of the pillars of the Australian way of life. You don't really understand what makes the Australian nation tick unless you understand the great affection Australians have for sport.
In films, you are a commodity. You are a look, something that the camera really likes, something that has struck an audience in a certain way. It's not really so much about transforming yourself the way actors do onstage. I think there's a difference between the skill of acting in movies and onstage.
I've never been to New Zealand, but I can imagine it's beautiful. I don't know much about New Zealand... but I do know that I did watch 'Lord Of The Rings' so it looks really pretty.
I find it a lot with Australian and New Zealand comics, and people from that part of the world, we share quite a similar sense of humour I think.
I love New Zealand. Every time I'm in New Zealand someone makes a joke about it being mostly sheep, which I think is unfair, because it's mostly nice people. It's mostly nice people and really wonderful scenery.
I don't have an anti-Hollywood feeling. It's just I'm a New Zealander. I was born in New Zealand, and it's where my house is, and my family goes to school there. My interest is to remain in my homeland and make films. I don't really want to relocate myself to other countries in the world to work.
Wherever you are in the world, there's always something about the Australian light. There's something about the sharpness of it, something about the clarity of it, something about the colours of Australia. And hopefully, something optimistic about Australian painting too.
I met Méret Oppenheim when I was a very young artist just coming to New York. She really liked my early films and showed them in her beautiful old cinema in Bern, Switzerland when I didn't have the money to go back. But, "fear-love," this really means "shy love." It's about holding something back. With Méret, there was nothing oppressive or demonstrative about her affection. It was very soft.
I was living in the U.K. I was back in New Zealand for the New Zealand Music Awards, which is like our annual New Zealand GRAMMYs.
The core of the film [Hunt for the Wilderpeople] is that relationship. Whether they're getting on or whether they're not. If that relationship works, then everything else works as well. And you kind of almost, sort of, gives into a realm of something like New Zealand magic realism... There is no world in which social work is actually pursues some kid into the woods in this manner.
I want to be in New Zealand SO BADLY. I've dreamt about coming to New Zealand ever since I was a kid.
As the chord changes go by, I don't so much think about a static chord voicing changing. I just see the notes on the neck change.
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