A Quote by Sam Neill
Every actor wants more offers, but I get enough and I do like to be busy.
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The word “busy” is the relationship Weapon of Mass Destruction. It seems like a good excuse, but in fact, in every silo you uncover, all you’re going to find is a man who didn’t care enough to call. Remember: Men are never too busy to get what they want.
I think actors are divided into two groups: one that wants to be an actor to become famous and rich, and the other that wants to be an actor because they have to be. I'm more in the second group.
The commitments, schedule and sponsor appearances don't change. It gets more busy, because you get more popular, and the more popular you are, it actually gets more busy. They're like, 'Yeah, let's use her, she's hot right now. Let's do a shoot!'
We joke about it in the entertainment industry: Every actor wants to be a musician, and every musician wants to be an actor.
For an actor, it's very important to get a clear idea of what a director wants, and their intention for what they want to get out of a scene and how they want to shoot it. Having that knowledge is really valuable, for an actor. It means you can deliver more.
As an actor, you're never busy enough.
If a good actor wants a role, they'll do whatever it takes to get the part. Directors are the same. We do 'meetings', not auditions: that tells you a whole lot more about an actor, too.
Every kid wants to be an actor. When I was a kid, I thought, 'Oh, it'd be great to be like Errol Flynn. I want to be an actor.'
An actor wants to get up every day and they can't think of anything particularly more fun to do than getting into a made-up situation and living it out as if it's real.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
Every actor wants to do more, because you always think you can improve it.
I don't like the idea of having to reproduce a recorded song live that I sing. I have enough to do on stage. I'm really busy up there, and I'm really busy with everything I have to do for every show. Add having to worry about my voice and singing lead on a song or two, that's not something I necessarily want to do.
Every actor wants to get their two cents in about a scene at the end of the day.
I don't think the concept of "directing actors" exists in the sense that if you get what you order from an actor you'll always get bad acting. Every actor is scared just like a regular person.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
Every actor wants to be versatile; everyone wants to do something different.
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