A Quote by Sam Neill
I think so much of your energy when you're growing up is about becoming independent of your parents. And the older you get, the more you realise you're actually so much part and parcel of the same kind of material.
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As you get older, you realise that your identity becomes more important - the environment in which you have grown is actually part of who you are just as much as your family or your school.
As you get older you realise your parents aren't these superheroes. They're actually people.
As you get older, you realise your parents aren't these superheroes. They're actually people.
I think it's something you learn over a period of time; you learn to be more comfortable within yourself, appreciative of what you've got and what you haven't, you realise the talents you have and what you can do and you take on the chin the things that you have to. It's part and parcel of growing up.
I feel like when you're in your late teens and early 20s, you just don't think about certain things in your life, and as you get older, you think about your parents getting older.
As you become more conscious of your cruelty, of your violence, gross and subtle, you start becoming more and more compassionate. Not that you cultivate compassion. Just by becoming aware of your cruelty, violence, ugliness... the very awareness brings new changes in you. And the energy that was involved in cruelty, in violence, starts changing. The same energy becomes purified, the same energy becomes compassion.
When you are sixteen you do not know what your parents know, or much of what they understand, and less of what's in their hearts. This can save you from becoming an adult too early, save your life from becoming only theirs lived over again--which is a loss. But to shield yourself--as I didn't do--seems to be an even greater error, since what's lost is the truth of your parents' life and what you should think about it, and beyond that, how you should estimate the world you are about to live in.
I'm much more concerned about what artists think. But as you get older you tend to get much more isolated; you're not out in the bar, having long drunken arguments on the benefits of your work vs. someone else's. It's hard to know how people are looking at it, and you don't get much feedback. The written critical stuff seems to be the feedback, but that's hard to interpret.
As you get older, it's important to have goals. When you're a kid you have them, but other people can set them for you, such as your parents, your school... so, as you get older it's nice to have your own goals, which don't have to do with being more famous, or being in bigger movies, or making more money. Those things kind of corrupt your soul.
It's just this feeling of when you're a kid, you have these ideas about the world and about people in your life that don't always hold up as you get older and start to realise that things are more complex than you might've realised. That's always a big part of a coming-of-age story.
You know when you have a child and then as you get older, your parents start becoming more like your friends and then telling you things they wouldn't have told you when you were 14 or 15, answering questions about the past or whatever.
You lie when you're a teenager, I think, because your parents are treating you like you're younger and you - in your mind - think that you're so much older. You make up all of these lies because you think it's what you should do.
When you're young, you think your parents are embarrassing and always saying and doing the wrong things, but as you get older you really appreciate how right they were about so much.
As you get older, we have more opportunities, more things going on in our lives that we take it away from basketball and our bodies. If you continue to put the same energy into your body, into your craft, I think you'll be all right.
I think what you have inside reflects very much in your face, in your expression. If you can find a kind of equilibrium in life, you never really get old, because you have that kind of ingenuity and innocence inside that gives you that brightness and that glint in your eye that generally, getting older, you lose.
The story, I like to say and remember, is always smarter than you—there will be patterns of theme, image, and idea that are much savvier and more complex than what you could come up with on your own. Find them with your marking pens as they emerge in your drafts. Become a student of your work in progress. Look for what your material is telling you about your material. Every aspect of a story has its own story.
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