A Quote by Sam Palladio

I've always tried to stray towards characters who are way more faceted than your standard leading man role, and I've been fortunate to play some parts who have this awkward tension to them.
It would drive me crazy if I picked roles with the goal of being a leading man. You never know what you're getting into when you sign onto a project, and more times than not, the characters that are close to the leading man are more interesting and more fun to play.
I'm quite lucky in that at certain angles I look all right, and at others I don't look so good, which enables me to play some leading roles and some stranger, more 'character'-type parts. I wouldn't say I'm the conventional handsome Hollywood leading man.
The characters I tend to play are a little more interesting than the standard heroes. Romantic leads can be a little more straightforward, I guess. But it just seems to be the parts I get, I don't know what that says about me. I enjoy interesting characters and interesting people, I suppose.
If we're talking about the science fiction or action genres, I've always tried when I could to do them in a way that's not just cookie-cutter - that they bring something fresh or original to it, have some kind of ideas to it. I've been fortunate, in some sense, to do those kinds of movies that are unique.
I've been awkward forever. I have really low expectations for myself. When I do perform to some sort of social standard, I leave feeling really comfortable. I'm either so awkward that I look retarded or I'm so awkward that everyone else feels retarded.
I was fortunate to play under Thomas Schaaf at Bremen. And I played for Arsene Wenger. So I always felt, let's say, more responsible than others towards the manager and his succession.
I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
People love to play 'Baby, I Love Your Way' at their weddings. They even play it for births and deaths - whatever the occasion, it seems to fit. Over the years, it's been used in lots of movies, and it's been covered by other artists more than any of my songs. I've written a standard... which is pretty incredible to me.
I think poetry can be a kind of secular way in which people can be led to approach the difficult parts of their life, where there's been loss, where there's sadness of a deep kind. If poetry can help people to be more at ease in expressing even to themselves a lot of the darkness and pain of ordinary human existence, then it's serving some kind of cultural role, perhaps more than a cultural role, perhaps it is serving something of a spiritual role.
I feel very fortunate for audiences to have been so gracious as to allow me to do pretty much any role that I felt I could do. They let me play a president. They let me play a lawyer. They let me play a hit man. They let me play a father. They let me play Howard Saint.
I'm trying to make a primitive painting. I'm trying to summon the archaic. I want to enter into a primitive situation. This is my protest against the sensory deprivation that we experience, which is due to this tendency towards globalization, towards homogenization, towards the generic - a technological standard rather than an aesthetic standard. I'm mining history, trying to regenerate a pictorial situation that is more humanistic. It's not about commodification, it's not about fitting into some sort of corporate structure. It's opposed to that direction.
'Masaan' was a small role, but people connected with it. I loved playing a man who does not have many complexities in life. I was inspired by my father for this role. You find such characters in novel or in stories. You don't find such parts in movies where characters are either good, bad, or grey.
I have been very fortunate to play parts that have not been just, 'Oh, you need a fat person to play this part.' It's been a secondary thing or we made a feature of it.
It's actually easier to play a leading role than it is to play a supporting role.
I've always been way more attracted to playing imposing characters than the hero. I've always been more intrigued by Iago in Shakespeare than playing Romeo. That was always boring to me.
I can get a better role in TV and work more constantly than I can waiting around for my friends in Canada to call me every four years - which they do - and I go up there and play a leading role.
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