A Quote by Sam Rayburn

The real actor has a direct line to the collective heart. — © Sam Rayburn
The real actor has a direct line to the collective heart.
The real actor - like any real artistj- has a direct line to the collective heart.
The homeland affects you directly: it affects your body; it affects the collective mind and the collective heart and the collective spirit.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
[Ed Lauter] was an actor's actor. I love working with that class of actor. You know, they come in, they do it, no bullshit. There's no artifice, there's no fanciness, they're just honest and tough and direct.
The most fun you can possibly have as an actor is to walk that line between what's real and what's interesting.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
My father, good or bad, mistakes or no, had a direct line from his heart to the music to the people, to the audience. He played with logic and his own inner truth.
Truthfully, most directors don't direct actors. Every actor is different, so when you're asked, "How do you approach an actor?," it depends on the actor. With some, you do nothing. With some, you're very specific.
Taking the line of least resistance, we lump the most different people together under the same heading. Taking the line of least resistance, we ascribe to them collective crimes, collective acts and opinions. "The Serbs have massacred…", "The English have devastated…", "The Jews have confiscated…", "The Blacks have torched", "The Arabs refuse…". We blithely express sweeping judgments on whole peoples, calling them "hardworking" and "ingenious", or "lazy", "touchy", "sly", "proud", or "obstinate". And sometimes this ends in bloodshed." – Amin Maalouf "On Identity
There is a direct line that runs from our doctrine to our actions, from what is in our minds to what is in our words and ways... The heart spills over into life. Thoughts of God, and of all else, erupt into acts. The filling of the heart with wise thoughts of God becomes the most important, the most practical, business in the world.
I'm not so in a rush to direct just anything because I'm lucky that I can make a living so far as an actor and not have to worry about that as a director. And so I can be a little more choosy in things I direct.
I wouldn't be an actor if it weren't for the English teacher I had my junior year in high school. She's the one who told me I could be an actor. I had never met an actor, I had never seen a real play, only high school plays. I didn't know actors were real, that it was a real job.
Direct confrontation, direct conversation is real respect. And it's amazing how many people get that.
The press should be not only a collective propagandist and a collective agitator, but also a collective organizer of the masses.
I didn't want to be a comedian. I wanted to be an actor - maybe a comic actor, but a real actor - by real, I mean not a comedian. I wanted to be an actor.
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