A Quote by Sam Rivers
I have made that one of my policies never to play anything that I've already put on record.
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I never set out to do this; I never set out to say, 'Can I break this record?' Then all of a sudden, the preparations made for the celebration put pressure on me. I said, 'Okay, I have to get there.' After 2,130, there was sort of a realization it was a foregone conclusion you're going to play tomorrow.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
Well, I never made a record to be in the Christian market. So when I made my record it was to exist in all of the markets. I grew up not really listening to tons of Christian music and if I did it was in the context of all the other music I listened to. So when I made the record I definitely had plans and visions and dreams.
My policies and my record are very clear that I have made it easier to vote. We have made the elections process more accessible to people in Georgia, not less, despite their rhetoric.
I've made compromises to survive in life, and to be able to do what I want to do. But, once anything has been put on screen, I've never made a compromise.
I put a song on Soundcloud, and Annie Mac made it record of the week, and a month later, I signed my record deal.
I'm self-critical but also, I'm not a very modest person. I'm self-critical in the lead-up to showing anyone anything. You know how people say they write, like, 30 songs and then they'll pick the ones they're going to put on the record? I don't ever get to that point because I self-edit so harshly at the beginning. I would never let anyone hear something that I wasn't happy with. But then once I've made it, I'm also not going to turn around and go, "Oh, yeah, I don't know..." If I'm putting it out, anything creative that I do, I think that it's good, otherwise I wouldn't put it out.
I made a record of montage sounds in '99 under the name Korena Pang, but it was never put out because it didn't do it for me.
I had never made a record before, so I didn't know anything about it. I don't know anything about knobs, frequencies, tones.
We made 'Wretched and Divine,' and as much as I love it, it's a pretty sparkly record - it's a record that could be done as a play because it's very theatrical with no grit.
When I produce someone's record I have to remember it's their record..no matter what I bring to it..er, sometimes that's not too easy:) It is a responsibility made less easy by people I work with encouraging me to play guitar on their record...A soon as I start playing guitar on someone's record it inevitably starts to sound like me...not always a good thing.
I can never look at anything I do subjectively - whether it's a Stone Sour record or a Slipknot record, I can never really have my own opinion of it, 'cos in my opinion it's all crap.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.
Just ask yourself what record you played over and over again when you were depressed or what record made you really happy? Those will never change and you should never be embarrassed by it.
Even the disc jockeys are saying, if I play your record, I made you. You got to play for me free.
I'm not meant to sit on the couch and not play music. But I never want to feel like I have to put out a record. I don't want to ever make those records.
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