A Quote by Sam Roberts
I think as an over-protective parent of my songs: I always feel like none of them get enough attention. There are the ones that get attention on the radio, but that's one thing. You always feel like people are not quite hearing what it is that you think makes a song special, and that takes time, too.
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We were always in the shadows of the stuff that was getting more attention. So people learned to listen to us slowly over time. And, frankly, we learned how to listen to ourselves. It takes us a long time to write a song that we all really like, so it makes sense that it would take a while for the listener to get there, too.
The thing about radio is that it's got an intimate feel. What I like is that you don't have to give it your full attention - you can still do something else that the same time, whereas TV is all-enveloping: you have to sit there and pay attention to it, and give yourself over to it. You have to surrender to it, but you don't with radio.
I'm in a difficult position in the sense that, preposterous as this might sound, I don't like being the centre of attention. I get up on stage every night and play songs, but I almost feel the songs are the centre of attention. I don't like opening my birthday presents in front of people, either.
Not that anyone minds--no one's paying attention to the music. Most of them never really listen to music. Practically no one actually does. Even at concerts people pay good money for, instead of a three-dollar cover charge, they talk through the whole thing. I feel sorry for them, since none of them understand what it's like to have a song just get into your soul and become your whole world. They don't know what it's like when a song changes your life.
I don't like crazy names. I don't like them. I don't think it makes any sense. You have to think about the child and, as they get older, what they have to deal with. A lot of people do things as a fad, and they want to get some attention, but it's like, this is your child.
I think for new artists the hardest thing is putting the face with a name. People maybe heard our song on the radio or something but until they get several impressions of who you are - from whatever it is, whether TV or a live show, I feel like they don't quite connect the dots.
I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.
What's happening now with technology is we live with very porous boundaries. All those little interruptions fragment our time and attention and make us feel like work never ends. It makes us feel like we don't ever have that sacred time for family or to breathe or meditate or for leisure. Time is contaminated for everyone. I'm hoping that as we get used to these technologies we'll get smarter about how we use them and also how to shut them off.
There's always a nice tune [on radio] - helps you get the dishes done . I like to get the news from time to time - not too often. I don't feel deprived.
If I don't get enough attention, I want more attention. If I have too much attention, I want it to stop. It is not always easy to understand myself.
I don't think I always look in people's faces, like, as - I think especially when I'm doing my more intimate songs that are quite personal, I always feel it's a bit accusing if I stare in someone's face when I singing quite a personal lyric.
Live comedy in a club, with an audience - it's hard to recreate that experience in a digital world. With Zoom, your face is there the whole time, and you feel like you have to always be on. You feel like you always have to be paying attention, and it can be exhausting.
I love wearing the exact same thing all the time because I think it makes you like a cartoon character. They always wear the same outfit and everybody always remembers them for it, so I feel like I should do the same thing.
I don't really like all the attention, because it feels like everything is about winning and they don't see the whole picture of my teammates and without my teammates, I don't think we'd be here right now. I get the attention ... if that day, I'm in the mood of signing autographs and taking pictures and even if I'm not, I'm like, he'll sign it for you, or he'll sign it for you. I can always give all the attention to my teammates because they handle it well.
I think basically, there are some bands and acts who feel the need to cultivate a persona or act a certain way or get quotes or whatever, because they feel like that helps them get promotion, and I feel like we're a band who have always just made music that we love and kept ourselves to ourselves and got on with it.
I think nervousness - a heightened sense of nerves and attention is a very healthy thing for a performer. It is an artificial environment that you are going into whether it's concert or recital, or stage. When I know something so well, I've done it so often, and you kind of walk out for Tuesday night's performance, or you feel like that, that makes me more nervous then being geared up. A little bit like race horses. In the same way that the horses are always difficult to get into that lineup, the worst time of my life is the 10 or 15 minutes before I go on stage.
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