A Quote by Sam Rockwell

It's hard to not get typed in Hollywood. They really want to type you. I'm trying to avoid that, because I want to do a lot of things. I know what I'm capable of. I forgive them because they don't know. They haven't seen me play Hamlet. They're not going to cast me as an English aristocrat. I'm going to have to prove that on my own. That's okay. That's what you have to fight for if you want to be an artist.
It's beyond my control who's going to cast me or how you're going to pigeonholed, so for me, it's just I want to keep doing different things because I want to get better, so hopefully I'll be hired to do them.
I don't want somebody who writes like me [in my writing staff]. Because I can write like me. I know what I'm capable of and what my limitations are. If you're going to build an orchestra, you don't want all tubas - you want a violin and you want a cello and you want a drum set.
I want my daughters to see me and know me as a woman who works. I want that example set for them... I am a better mother for it. The woman I am because I get to run Shondaland, because I get write all day, because I get to spend my days making things up, that woman is a better person - and a better mother. Because that woman is happy. That woman is fulfilled. That woman is whole. I wouldn't want them to know the me who didn't get to do this all day long. I wouldn't want them to know the me who wasn't doing.
I hit my head against the wall because I don't want to know all the terrible things that I know about. I don't want to feel all these wretched things, but they're in me already. If I don't get rid of them, I'm not ever going to feel anything else.
I'd rather be thought as an international actress rather than a French one. Because I don't know what's coming up for me, my ambition is not to be typecast. So I'm working on my English accent, as well as my American one. I don't want to be like 'Okay, I'm French, and I want to succeed in Hollywood!'
I find it hard to work with other musicians because I know from experience that when they play, they play with their feeling, and that restricts me because I know I want to play in my own particular way.
Drug users made me. They taught me. I didn't know how to work a scale; I didn't know what a gram was. Drug users taught me the business. They're going to teach it to the next guy, because they want a good drug dealer, one they can trust, one that's not going to rob them, one that's not going to cheat them out of their money, one that's not going to sell them fake dope. That was me. They're going to find another one because they're going to be looking for that guy every single day until they find him.
I think being honest with one another creates an environment that's comfortable. You want to know where you stand, whether you're doing a good job. The players know what's going on before you do. They're trying to see if you're going to do something about it. And when it's not like that, everybody is pissed off, because they know that people can get away with stuff and that nobody is keeping them in line. That's not a team to me.
My dad told me, 'If you're going to go out there and play baseball, or you're going to play basketball or football, work hard at it no matter what. I want you to have fun with your buddies, but you have to put in the time because this is your craft.' He didn't just want me to be good. He pushed me to that next level.
I recorded a lot of songs that I knew I didn't like just because maybe part of me wanted to be nice, maybe part of me just wanted to be in the studio, but I've been learning that it's really important to do what you want to do. Even though I might not write all of it, I am still picking out the songs that I want to do. A lot of people who are writing for me are people I have worked with for a while so they know who I am and what I want. I have a lot of opinions and I have learned that it is absolutely okay to express them and to say, "No, I don't want this."
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
Listen to me. I’m shy. I’m not stupid. I can’t meet people’s eyes. I don’t know if you understand what that’s like. There’s a whole world going on around me, I’m aware of that. It’s not because I don’t want to look at you, Lucinda. It’s that I don’t want to be seen.
I'm not twentysomething. I'm not trying to find myself - I know exactly who I am and exactly what I want. And I don't want a fan. I want a man who understands me, who challenges me, who calls me on my sh-t instead of letting me get away with it because I'm supposed to be a star. I want a best friend.
You think that because I want to do what’s right, because I want to make things better, I’m weak,” Claire said. “Or that I’m stupid. But I’m not. It takes a lot more strength to know how bad the world is and not want to be part of that, give in to it. And I do know, Kim. Believe me.
I want to be in everything, but that's because I haven't seen someone who looks like me in everything. I want to play a superhero. I want to be the love interest. I want to write my own stuff and create my own projects. I want to be in French films.
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