A Quote by Sam Shepard

I've been so spoiled in the theater, writing plays where I can just do exactly what I want and nobody messes with me. — © Sam Shepard
I've been so spoiled in the theater, writing plays where I can just do exactly what I want and nobody messes with me.
Ive been so spoiled in the theater, writing plays where I can just do exactly what I want and nobody messes with me.
I was 22 and stopped writing plays, and I didn't start again until I was 25. I was writing badly. In college, I attempted to write these more conventional plays, but the theater I loved was downtown experimental theater. I didn't feel like I could do that either. It didn't occur to me to do my own thing.
I've seen plays that are, objectively, total messes that move me in ways that their tidier brethren do not. That's the romantic mystery of great theater. Translating this ineffability into printable prose is a challenge that can never be fully met.
In Michigan, if you want to act, it's local theater, it's high school theater and it's going to camp and putting on plays in the summer, and I always loved doing that. There was something that just drew me to it.
Nobody messes with China, nobody messes with the United States, or with Europe, because these are really big entities with a lot of clout and a lot of economic power. They have a place at the table.
I'd always loved the theater, and I began by writing plays. I work in the theater a lot in the UK, and I've worked in the theater out here quite a bit. Everything else - the films - followed as a consequence of that.
I always loved theater and acting in plays and directing, writing little plays and directing friends in plays.
I continued writing the bad plays which fortunately nobody would produce, just as no one did me the unkindness of publishing my early novels.
I designed a theater magazine that was full of plays and essays about the theater, and then I worked at a theater school. By osmosis or something, I was learning from reading plays and not being analytical about them, but when I would read them, the joy in me was mostly from imagining them in my head and visualizing them.
Theater was definitely part of my roots. My father would take me to plays, and then my mother was always on the lookout for other talent and taking me to see plays. I saw Frank Langella in 'Dracula'... Great, great performances. I was a theater rat, hanging out backstage.
I don't have much to compare it to because I really didn't know much about theater. After I signed on, I started reading a lot of Sam Shepard plays just to brush up on my history and do some research. What's great is that Sam's been here and he's been in rehearsals with us. Sometimes you don't even notice him come in; he's just sitting there in the theater seats watching you.
I want to do theater and I am looking forward to doing more Television and Movies. I also want to direct some plays in theater workshops for people with disabilities.
A lot of what I've had produced are plays, and I just don't want to do that. It's different than a movie, where you only have to act the scenes the one time, and you have other collaborators helping you make it better, so you don't feel as obsessed with your own mind. Plays you have to do every single night, and the thought of that is agony to me. There are days when you hate your own work, and you don't want to be confronted with that, have it coming out of your mouth or listening to somebody else say it to you. There are days you want to leave the theater and get a drink.
I went to college and studied theater; I went to a theater conservatory. I live in New York because I wanted to do plays and still do plays.
Nobody the dead man & Nobody the living Nobody is giving in & Nobody is giving Nobody hears me but just Nobody cares Nobody fears me but Nobody just stares Nobody belongs to me & Nobody remains No Nobody knows nothing All that remains are remains
[The political mind] is a strange mixture of vanity and timidity, of an obsequious attitude at one time and a delusion of grandeurat another time. The political mind is the product of men in public life who have been twice spoiled. They have been spoiled with praise and they have been spoiled with abuse.
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