A Quote by Sam Shepard

It's funny, in a way the actor is a writer. It's not like the two things are so separate as to be like apples and oranges. The writer and the actor are one. — © Sam Shepard
It's funny, in a way the actor is a writer. It's not like the two things are so separate as to be like apples and oranges. The writer and the actor are one.
I'm sort lucky in that for me, I'm a writer now. I started as an actor but I'm a writer and so things like 'Wilfred' and shows like that are where I escape to.
My abject hatred of actors and the acting world. I went to college as an actor, and halfway through, I switched to playwriting and directing. Then I spent a couple years working in publishing, doing some freelance journalism for The Village Voice and Musician magazine. I thought my life was going to be as a writer, but then I realized I missed performing, so I got into comedy. It was a nice combination of things I was sort of good at. I was a pretty good writer and a decent actor, but I didn't really like acting, and I didn't have the discipline to be a writer.
Thing is, I'm a funny actor, but I'm not good at being funny. I'm going to ramble for a second: I'm an actor who can make things funny in the moment, like in stakes or in circumstances or out of character.
I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.
Comparing Apple to Netflix is like comparing apples to oranges, especially if the oranges made so many mistakes that people stopped eating oranges and just went back to Blockbuster.
I want to be a director, producer, and a writer. And an actor. So, like, all the things in acting, basically.
I learned so much from my life as an actor, as a kid actor through being an adult actor, and then becoming a writer and producer and doing animation.
It's important that the actor doesn't feel like they're working in a vacuum. If the actor is told, 'Oh, it's a secret; just play it this way or that way,' it's a bit patronising. I think you have to bring the actor into your thinking and explain things.
I feel much more comfortable as a writer than an actor. I feel like I am a much better writer than I am an actor.
When I was in the writers' room, all these writers were like, "Ugh, another star that they gave a writing-producing credit to." But then within like an hour, they were like, "You're really a writer." "Yeah, I really am. I'm a writer, and a director, and a producer, and an actor, and a painter, and I do all that stuff in the Lush Life." It was great.
It's fun because I really do love meeting new people. Comedy can be so different from show to show and from writer to writer and actor to actor. People don't set out to make a bad show.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
I hated the idea that I would be like my father. Which is one of the reasons I decided I didn't want to be a writer and wanted to be an actor instead. I wanted to go in a total different direction. But, of course, I ended up being a writer anyway.
The most important definition of an actor, the job of the actor, is to serve the writer, not yourself. Way too many actors serve themselves.
Comparing science and religion isn't like comparing apples and oranges - it's more like apples and sewing machines.
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