A Quote by Sam Shepard

When you're 19 and writing plays, you think every actor is full of it. They just can't handle your brilliant material. — © Sam Shepard
When you're 19 and writing plays, you think every actor is full of it. They just can't handle your brilliant material.
Writing for myself and writing for another artist are two very different experiences. When I handle both the story and the art, I have full control. I can endlessly tweak every word and every line.
Well, I think that the most exciting stage of any tour is getting the tour together. Because when new material works, there is no other feeling like that. It's just brilliant. And for the first half of the tour, you're still often finding the extra stuff in that material. You're exploring it every night.
I don't know if I ever would have developed into a good actor, but that got completely scotched when I lost my vocal cord at 14 in the operation. But writing always - writing plays, writing, writing, writing, that was what I wanted to do.
I have a friend who is very successful in business, and his motto is, 'Don't do what you can do. Do what only you can do.' First of all, you have to know what your specific, unique gift is and then you do that... every actor does that but every once in a while an actor plays a part that only they can play.
You must always work not just within but below your means. If you can handle three elements, handle only two. If you can handle ten, then handle only five. In that way the ones you do handle, you handle with more ease, more mastery, and you create a feeling of strength in reserve.
I can't think of anything worse than calling Shakespeare 'highbrow,' because on the one hand, it's brilliant writing. But his plays were popular. People went to see them.
I was very in my own head as a kid. But I liked it there! I was just writing poetry, writing stories, writing plays. I think I was quite strange. But I was happy.
One Flew Over the Cuckoo's Nest' is a movie that I just find flawless. Jack Nicholson... I just saw 'The Shining' again the other day; he's so brilliant. He's such a brilliant actor, just unbelievable.
'One Flew Over the Cuckoo's Nest' is a movie that I just find flawless. Jack Nicholson... I just saw 'The Shining' again the other day; he's so brilliant. He's such a brilliant actor, just unbelievable.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
First, I started with music singing, writing songs, playing music. Later, I got into acting. I'm not a brilliant musician or a brilliant actor. But, to me, they're still great vehicles for expression.
I said Revolver is my favorite The Beatles album, but only because it came to my head and it's a brilliant one. But they're all pretty brilliant. There's variations, but they're all brilliant, and it just depends on if they're very brilliant, or just a bit brilliant. It changes.
It's hard to explain why exactly, but I think that when I began writing plays, it was from an actor's point of view more than anything. I had the feeling that if you put yourself in the position of the actor on stage and write from that perspective, it would give you a certain advantage in terms of being inside of the play.
Whether it's writing a monologue or writing standup or writing a screenplay or writing a play, I think staying involved in the creation of your own work empowers you in a way, even if you don't ever do it. It gives you a sense of ownership and a sense of purpose, which I think as an actor is really important.
When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that. So the director's task is just that – to direct, to point the way. Then the actor takes over. And he must be allowed the space, the freedom to express himself in the role. Without that space, an actor is no more than an unthinking robot with a chest-full of push-buttons.
American actors who voice animated movies are so brilliant at it, because by the nature of American speak, it's full of energy and full of commitment. And as a British actor, we have to kind of learn that.
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