A Quote by Sam Shepard

I feel like I'm a natural-born playwright, but the prose thing has always mystified me. How to keep it going? How do people do it, for years and years? — © Sam Shepard
I feel like I'm a natural-born playwright, but the prose thing has always mystified me. How to keep it going? How do people do it, for years and years?
We don't have great answers to what jobs will look like in 10, 20, 30 years. And I think it's right for people to have some anxiety in a world where driverless cars are going to take over. Like, how are you going - it's gotten really, how are you going to have a job in 10 years, and how are your kids going to have a job in 10 years, if you haven't gone to college or had a lot of hand-ups in the system, basically.
I feel great. I feel younger. And I don't feel anything at all. I don't know who knows, but right now I'm, how, how many years have I, fifty five, something like that. Forty three years old. And I feel like seventeen, like twenty five years ago.
I feel like the reason I ended up becoming a playwright is because I never choose the right word. As a kid, my fantasy profession was to be a novelist. But the thing about writing prose - and maybe great prose writers don't feel this way - but I always felt it was about choosing words. I was always like, "I have to choose the perfect word." And then it would kill me, and I would choose the wrong word or I would choose too many perfect words - I wrote really purple prose.
Becoming a vampire is forever. You don't get to change your mind about it later. For me, I think that's one of the big drawbacks with anything that's permanent. How do you know how you're going to feel in five years or 10 years? Even with a tattoo.
I feel like I'm a boy, but I don't feel like I should've been born with different parts of my body or anything like that. I feel like it's just all in how I dress and how I talk and how I look and feel, and that makes me happy.
My standup is years and years of me working things out on the road. I'm really proud of it! A lot of it is about, well... I don't know why I feel this way, but I feel like every special or show I do is some variation on how I feel like I'm not a girl, not yet a woman.
I think we really feel like Crowdrise could be something that, 20 years from now, people take for granted because that's just how you do it, like if you're going to raise money for something, that's how you do it.
One thing I savor about what I do is the relationships that I've earned over the years. Becky Herbst and I have been working together for 17 years. I've seen how everything has evolved over the years, and I've seen all three of her kids being born. Because it's personal, I would have to say I'd like to see him with Elizabeth.
Whether it's 18 years old or 40 years old, we think we know what's going on. But if you're lucky enough to continue the journey, its amazing how we keep learning how much we didn't know.
I used to feel for years and years and years that I was very remiss not to have written a novel and I would question people who wrote novels and try to find out how they did it and how they had got past page 30. Then, with the approach of old age, I began to just think: “Well, lucky I can do anything at all.
I wouldn't say I'm stuck in my adolescence, but I think, like a lot of people, I carry my teen years with me. I feel really in touch with those feelings, and how intense and complicated life seems in those years.
People say people who spend too many years in prison don't know how to act when they get free. I don't know how I am going to act, how I am going to kill time, once I am not a fighter. Retirement scares me, and I have to think about how I am going to handle it.
I’ve always said to my agents and stuff, like, it’s going to be 10 years before people forget about Twilight, And that’s totally understandable. Normally people keep working and working until their big break. You just keep trying to make the best of your decisions. Like I try to think how I used to think before all the Twilight movies.
How lucky am I? Quite often I speak at book festivals, and people ask me how I got published. There's people who have been working on a book for as long as ten years, and I feel like such a cow.
I speak to people who have coached me down the years who tell me to look at how far I've come and to just keep going, there will be light at the end of the tunnel.
Right now, as I've gotten older, my tics sustain for five or ten years. So, I can deal with them on a daily basis; I know how it affects my body. But when you're 10 years old, and every three months a tic comes along, it's daunting because you don't know what the next one is going to look like, what it's going to feel like.
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