A Quote by Sam Shepard
In many of my plays, there was a kind of autobiographical character in the form of a son or young man.
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In many of my plays, there was a kind of autobiographical character in the form of a son or young man. The purpose of it, of course, was to write about myself. That character was always the least fully realized. Eighteen years later, you realize, That's what he was about.
If I have a daughter and she plays tennis, and I have a son who plays tennis, I wouldn't say that my son deserves more money because he's a man. I would say they deserve the same amount of money.
I have a son, who is my heart. A wonderful young man, daring and loving and strong and kind.
O my son Absalom,' Bean said softly, knowing for the first time the kind of anguish that could tear such words from a man’s mouth. 'my son, my son Absalom. Would God I could die for thee, O Absalom, my son. My sons!
I didn't get to college until my 20s, because I was a young father on welfare and had to take all kind of jobs to support my young son. There's what frames my view on the topics I discuss on my shows, and the average person relates to that. No matter how many degrees I have now, I lived that life, and that comes through to the people watching.
Over the years, I had something in principle against autobiographical writing altogether because memory plays tricks on us, and we also tend to reinvent ourselves. But there comes an age when one begins to observe life, and there are things that need time to mature, also in terms of literary form.
My son, Walker, has a band called The Dust Busters. You know, he plays banjo, fiddle, guitar, and mandolin, so a lot of my interest in that kind of music comes from him constantly listening to this stuff. He's taught me the history of it. It's remarkable how these young kids are now turned on to more traditional old-time music.
I had done plays all my life. Many, many, many plays, off-Broadway plays.
Amy Sedaris [in the Ghost Team] plays a Miss Cleo-esque character - Miss Cleo just died, so that's kind of timely - but she plays a Miss Cleo-esque TV psychic who's also kind of a bullshit artist. One of the most triumphant character turns in the movie is when she realizes that even though she's a bullshit artist, she does have something to offer. She helps save the day at the end of the movie.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
All of my plays are deeply autobiographical. But it's not straight autobiography.
I am an old man but in many senses a very young man. And this is what I want you to be, young, young all your life.
When a man plays a woman in a dress, you're halfway there. It's inherently funny. When a woman plays a man, for whatever reason, it's not that instant kind of funny.
It is a fascinating fact that father and son have given the most striking evidence for the apparently contradictory properties of the electron: the father proving its character as a particle, the son its character as a wave... Thomson was extremely proud of his son's success and tried to assimilate the new results into his old convictions.
Emotions of any kind are produced by melody and rhythm; therefore by music a man becomes accustomed to feeling the right emotions; music has thus the power to form character, and the various kinds of music based on various modes may be distinguished by their effects on character.
All of my kids are into music. My older daughter plays guitar, piano, sings. My young son, he sings.
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