They say TV has a tendency to diminish actors, and I think that's probably true in the long run - it wears on 'em like bad dental work - but Cheech doesn't show any of the signs of being damaged that way. And as a man, he's fantastic.
Say, this new home building idea of President Hoover's sounds good. They are working out a lot of beneficial things. The only thing is it took 'em so long to think of any of 'em. We ought to have plans in case of depression, just like we do in case of fire, 'Walk, don't run, to the nearest exit.'
Maybe I'm a damaged man. I think we're all damaged in some ways. When I was younger I never thought I had any way of breaking through the hardships.
The magic to our show and, I think, any successful show, be it on the radio or TV, is every person being true to themselves.
I think comics will always be around. I think there's something nice about a comic book. People love to hold 'em, turn the pages, fold 'em up, roll 'em up, stick 'em in their back pocket, show 'em to a friend, and say, "Hey, look at this."
I think I've had to work my entire life at reacting to bad news, 'cause my first tendency whenever bad news comes is to pretend like it's not that bad somehow. And, you know, if you can do that with your parents being executed, you can do that with almost anything.
Even though I've mostly done movies, TV has developed in such a wonderful way over the past few years in the sense that film directors are being involved and some fantastic actors are committing to seasons of series. There are some fantastic writers working in that medium right now.
I don't think anyone who runs a TV show would ever say to you, 'I have a grasp on running a TV show.' Maybe that's not true. Maybe there are people that do. I don't know.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
Think 'Game of Thrones.' In the old days, this sort of show might be considered bad writing. It doesn't really seem to be moving toward a crisis or climax, it has no true protagonist, and it's structured less like a TV show or a movie than a soap opera.
The surest way to identify those who won't succeed at weight loss is that they tend to say things like "My goal is to lose ten pounds." Weight targets often work in the short run. But if you need willpower to keep the weight off, you're doomed in the long run. The only way to succeed in the long run is by using a system that bypasses your need for willpower.
You have a tendency to just remember the bad times and bad moments. I think that often it's the way of life. Yet the rewards we got from it were fantastic and we played a lot of shows to sellout audiences in I don't know how many cities. I just think we didn't realise how insane it was until we were actually right in the middle of it and couldn't stop. We just couldn't stop.
Some of them I probably would like. Some of my fans probably beat their wives or run over little kids and they just happen to watch me on TV and like the way I ski. Obviously I clearly wouldn't like that person if I knew 'em better.
It is a fact that everyone's got a limited run in music - but who's to say how long that run lasts? I used to think that there would be no way I'd still be in music when I was 40. I used to think anyone who was 40 was an old man, and they probably shouldn't be doing it anymore.
I'm not the kind of man that holds out on a need for nothing. I'm as lonely as any man around, I just don't like to pick 'em up and lay 'em down.
Any system that sees aesthetics as irrelevant, that separates the artist from his product, that fragments the work of the individual, or creates by committee, or makes mincemeat of the creative process will, in the long run, diminish not only the product but the maker as well.
Some say, what is the Salvation of the Movies? I say, run 'em backwards. It can't hurt 'em and it's worth a trial.