A Quote by Sam Shepard
There is this aura that the three-act play is the important one: it's the one that you do to win the Pulitzer. Some part of you falls for that, and then after a while, you don't fall for that.
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One thing about winning a Pulitzer, it means you know what the first three words of your obituary will be: Pulitzer Prize-winner. After winning the Pulitzer, I couldn't help but notice how people suddenly looked at me with a newfound respect, and would say, "He's an expert." On the negative side, I developed a terrible case of writer's block for awhile, because I felt like readers would expect every one of my columns to be prize worthy.
When you are an historian, there's probably nothing that matters more than to be recognized by your colleagues in your own profession. I was lucky enough to win the Pulitzer Prize for History. I had to give a talk right after that to some young people. The most important thing to tell them, I think, is that you can't ever know that it's going to turn out that way.
Winning the Pulitzer is a really mellow, fabulous thing. You don't sit and wait for them to open an envelope. You already know you won, and you have a nice lunch. Oscars are more stressful. I had to sit for three hours and wait for my category. I had to fly to Los Angeles. For the Pulitzer I just had to go up to Columbia. But, while the president of Columbia gave me the Pulitzer, Audrey Hepburn and Gregory Peck gave me the Oscar, so that was better.
I have finished school and so it's becoming a real job, and as an actor, you cannot always just play roles. To me, it's important to live, to be who I am and then to get out of that, because when you play a role, it's always a bit of yourself. Okay, you can get some things, but that's why it's so important to gain life experience in order to act - it's important to care about this.
The common vision is winning - and winning a World Cup. We have a three-year plan - win the World Cup, win the Olympics, win the Euros - and the common agreement is you want to create a legacy and win the World Cup; then, everything else falls into place.
Act out being alive, like a play. And after a while, a long while, it will be true.
They [Barnes Theatre Club] were a very good group, and for some reason when I finished the backstage thing, I just decided to that I should try to act. So I auditioned for Guys and Dolls and got a little tiny part as some Cuban dancer or something and then in the next play I got the lead part, and then I got my agent. So I owe everything to that little club.
The Pulitzer isn't a physical object. You can't hold it in your hand. You get some money ($7,500 in my day), and you get a little Tiffany's paperweight with your name on it and the image of Joseph Pulitzer suspended in the crystal. When people see my 'Pulitzer' (I keep it in my sock drawer), they are pretty amazed at its meagerness.
For me, on every project, I realize that I've boxed myself into a corner, or that the play necessitates some sort of theatrical convention that I realize I hate while I'm making it. So then the next play is always a rebellion. Or like, the thing I didn't even realize I was doing last time I will make sure I don't do this time. But there's always some other blind spot. And then that blind spot inspires the play that comes after.
There's all kinds of reasons that you fall in love with one person rather than another: Timing is important. Proximity is important. Mystery is important. You fall in love with somebody who's somewhat mysterious, in part because mystery elevates dopamine in the brain, probably pushes you over that threshold to fall in love.
It seems strangely difficult for some to realize that here in Asia is where the Communist conspirators have elected to make their play for global conquest, and that we have joined the issue thus raised on the battlefield; that here we fight Europe's war with arms while the diplomats there still fight it with words; that if we lose the war to communism in Asia the fall of Europe is inevitable, win it and Europe most probably would avoid war and yet preserve freedom. As you pointed out, we must win. There is no substitute for victory.
Failure is part of life. My failures have taught me more than my successes. So, it is important to fall and it is equally important to fall and rise.
In 'The One Who Falls,' three women and three men, in everyday clothes, negotiate each other while moving, often in unison, on a giant spinning tile.
But we fall only that we might rise, Alfred. All of us fall; all of us, as you say, screw up. Falling is not important. It is how we get up after the fall that's important.
While the Coliseum stands, Rome shall stand; when the Coliseum falls, Rome shall fall; when Rome falls, the world shall fall.
Provenance is something very important in jewelry. You want to know who has worn a piece of jewelry and who it has belonged to - it's part of its history, part of its aura.
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