A Quote by Sam Shepard

I think comedy's harder to pull off on the screen than on the stage, anyway. Tragedy is easier on the screen... oddly enough. — © Sam Shepard
I think comedy's harder to pull off on the screen than on the stage, anyway. Tragedy is easier on the screen... oddly enough.
You just have to re-wire your brain when you’re shifting from the stage to the screen, or the silver screen or the HD flat screen.
You just have to re-wire your brain when you're shifting from the stage to the screen or the silver screen or the HD flat screen.
It's much easier to hate someone on screen, if you actually like them off screen. It's a more enjoyable ride. There's nothing personal about it.
It took me years to actually get comfortable on the stage. I prefer the intimacy of screen; it comes easier to me. In theater, you have to be louder and bigger - that was harder for many years in my teens. But now I've conquered that. I eat up the stage. I love it.
It took me years to actually get comfortable on the stage. I prefer the intimacy of screen; it comes easier to me. In theater, you have to be louder and bigger - that was harder for many years in my teens. But now Ive conquered that. I eat up the stage. I love it.
I do not think that there need be the conflict between books and videos, that one would drive out the other. It certainly is possible to watch the screen for some things and for others to sit down and read, because the screen is easier to do, to watch is easier than to read because you don't have to contemplate anything. Someone else has done the work of putting it on the video.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
In computers, we do all kinds of manual manipulations. We grab and drag icons. We click on and open windows. We pull down a screen. We stretch a screen. We scroll up and down.
I was sort of trained in drama. I went to theater school. I started on the stage. Comedy is absolutely an essential part of what we do as actors. But I think in the grand scheme of things, comedy was born from tragedy. First there was tragedy and then there were the comedies.
I want to touch the world through my performances on screen but also off screen.
What happens off-screen definitely informs your performance on screen.
An actor's off-screen persona should never overshadow his on-screen characters.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
With any good projects, I feel like the off-screen chemistry factors on-screen. It's great when you don't have to force it, but when it's not there you better focus on getting there, because as we live with these characters we spend more time with one another than we do our families at home.
With any good projects, I feel like the off-screen chemistry factors on-screen. It's great when you don't have to force it, but when it's not there, you better focus on getting there because, as we live with these characters, we spend more time with one another than we do our families at home.
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