A Quote by Sam Smith
I'd do a song in the studio and it would explain everything I'm going through so perfectly that when I went home and I felt down I could listen to that to make me feel better. It's a documentation of my life. I think it's just important to put it out there.
Related Quotes
I just want the songs to have the staying power as my favorite songs. If you listen to any Hank Williams song, when you're in a good mood, it's going to put you in a better mood. If you happen to be bummed-out, you're going to feel maybe a little more bummed-out and better at the same time. At any time in my life, his music has had meaning and value to me. If a song can shape-shift in that way, that's a sign of success.
No. You can't. And I can't do anything either, about my life, to change it, make it better, make me feel better about it. Like it better, make it work. But I can stop it. Shut it down, turn it off like the radio when there's nothing on I want to listen to. It's all I really have that belongs to me and I'm going to say what happens to it. And it's going to stop. And I'm going to stop it. So. Let's just have a good time.
I always have loved music, ever since I was really little. I just loved to sing. I can't really explain it, except maybe - and this is going to sound really stupid - when I would listen to a song it would make me more excited than anything else could.
I make music because it helps me. I feel better after I've written a song. I listen to my own songs, and they make me feel and think about stuff I'd done or someone said to me, and I feel a bit better.
I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.
'Southern Accents,' I think that's one of my best, really. That would have been 1984, and I wrote that on the piano in the studio at home. I had a studio, and I just happened to be down there in the middle of the night. It was quite late, probably early morning, and I just started to play, and a song just started to appear.
Don't just listen to my songs; listen to any song which you feel would make a change in your life.
I function better in the jungle in Amazonia or Antarctica or Alaska or the Sahara desert. An artificial environment like a studio has never attracted me. I could work in a studio, but I would never really feel at home.
Everything I've ever felt, but could never put into words, is poetically orchestrated through Mat Devine 's writing. In a lonely world, a book like this will make you feel like you belong. Simply put, Weird War One changed my life.
Actually doing a song, going to the studio, and just getting out on paper your anger makes you feel a little better sometimes.
L.A. is cool. If I could have the rest of my family out there, I think it would make it that much better for me. As far as work and the weather, you can't really beat it. I just wish they had the New York social life out there. That would make it perfect.
I wake up from dreams and go, 'Wow, put this down on paper.' The whole thing is strange. You hear the words, everything is right there in front of your face. ... I am always writing a potpourri of music. I want to give the world escapism through the wonder of great music and to reach the masses. ... And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.
The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.
When I was growing up, you would put on a KISS record or a UFO or Aerosmith record and listen to it from the first song through the last song. It's been so long since a band has put out a record like that.
I was going through a time where I was like man I wanted all of my clothes to be totally understated and I would do pop color with hats from a line called Ale et Ange out of New york City. They created all these hats and I just thought they were super fresh and the only way that I could really get them across...I was just like, 'Let me make everything mute and just put on the hat.'
I felt very at home in California, but the place is prone to earthquakes, and the one in 1994 scared the life out of me. For months afterwards, I felt that every time I sat down, I should have put on a seatbelt.
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