A Quote by Sam Smith

I want to save duets and collaborations for outside of the album. With the albums, I like it just being me. — © Sam Smith
I want to save duets and collaborations for outside of the album. With the albums, I like it just being me.
You're never going to release the next album and have it be different from your other two, three, four, five albums. People give them a hard time, but it's like, 'I'm an artist, I'm trying to grow. I don't want to have the same album for 10 albums in a row!' Same thing for a martial artist.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
Albums tend to dictate what they need. Every time I have made an album it sort of feels like it is decided for me how that album is going to sound; it is not really a cerebral decision where you sit down and decide that you are going to make an album that sounds like 'this.'
Some of the albums I like best in the whole world are considered psychedelic albums. A psychedelic album is an album that when you put it on, if you listen to both sides, when it's over, your perceptions have been changed and I think that our record can do that.
Late in my career, I was asked to do an inspirational record and a duets album and I didn't want to do either.
I think everything happens for a reason and all of my choices have led me up to my solo album and made me stronger, not only as an artist but as a person. I want to do more the Black Eyed Peas albums and more of my own albums. I'm in this for the long run.
I would love to do some collaborations for my album - the more the merrier! It's fun to experiment and get to tap into different genres and sounds through collaborations.
There are albums that I like because of specific songs, but then there are albums that I like as a complete body of work. 'Ghetto Fabolous' is an album I lived with daily.
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
The great thing about albums is it gives you a lot of choices, and we can all say that the album business is dead, but watch Taylor Swift. I don't think it's dead. I just think we've got to hit on the energies that make people want to collect albums.
On every album I've put out, I've put diverse Canadian songs on it. They're not provincial album; my albums are national albums. There'll be a song about Saskatchewan and Vancouver and Nova Scotia on there.
I really love crafting albums and thinking of albums as a whole, not just individual songs or singles or just tracks, but a whole entire album.
I ask myself when I see a new album: 'Is this an album that they needed to make, or do they need to just keep making albums?'
The guy we want to get is the guy who did the Aerosmith album which is coming out in two days, and a Chili Peppers album, and a couple of Pearl Jam albums. We want to get someone that will sort of bring out the high energy aspect more than the dreaminess that was on the last album.
I got a chance to have my dream come true, and I wanted to make sure I made the decision as to when I dropped my last album. If I don't feel like this album is an incredible piece of work, then I'm cool with the albums I've done. I don't have to put out another album.
Any album that you pick up of mine, you know it's an Akon album. The guests are very limited and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.
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