A Quote by Sam Smith

If we're going to go really deep, we're all trying to live forever. My music is my way of doing that. — © Sam Smith
If we're going to go really deep, we're all trying to live forever. My music is my way of doing that.
Aerobics is a really whacked-out way to get going. The loud rock 'n' roll music and the teachers standing before you, doing the exercises and screaming into the microphone, "Go! Go! Go for the burn!"
Your mind can't always tell the difference between pretend and reality if you pretend too long; or if you go too deep and really believe in what you're doing. If you're going to be that kind of actor and go way out there, it's really important to take care of yourself and have a safe place, whatever that is.
One good thing about music, when it hits-you feel no pain. ... My music fights against the system that teaches to live and die. ... Free speech carries with it some freedom to listen. ... My music will go on forever. Maybe it's a fool say that, but when me know facts me can say facts. My music will go on forever.
Even when I'm not onstage singing, there's always music going on in my head. It's a curse and a blessing in a way - it's sitting in bed at night, trying to go to sleep, while the music keeps playing in your head - especially when you're trying to learn something new and you're trying to memorize it and get everything.
I love making records. That's my favorite part of the whole process. And I love playing live, but certainly getting the music on a disc that's going to live forever and be there forever, just every little detail drives me crazy.
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
The direction Eun Gi is trying to go, I don't know. How you're going to go that way. What you're trying to do going that way. I don't know. With what thoughts... With what mind she is taking that way... Even if I ask, Eun Gi won't answer. The only thing I know, is that, I, next to Eun Gi who is going that way, it could be that I can't go that way with her together.
If you're going to make a lot of films about a particular group of animals, you might as well pick one that's fairly common. And octopus are: they live in all the oceans. They also live deep. And I can't say octopus are responsible for my really strong interest in getting in subs and going deep, but whatever the case, I like that.
When I got 'forever' tattooed on my throat, it meant that my legacy was going to live forever. So anything that I create, I do it because I believe it will live on, forever.
It's a really deep and layered psychological situation - making music with someone - if they're trying to make something real and personal. It's almost like dating: you allow yourself to be consumed by the other - not in a bad way, but in a way that happens in nature.
My goal is to live the truly religious life, and express it in my music. If you live it, when you play there's no problem because the music is part of the whole thing. To be a musician is really something. It goes very, very deep. My music is the spiritual expression of what I am - my faith, my knowledge, my being.
As a young actor, people were trying to define who I was before I really knew that for myself. But I still remember thinking, 'This is what I love doing, and I hope I'm going to be able to do it forever.'
As a young actor, people were trying to define who I was before I really knew that for myself. But I still remember thinking, "This is what I love doing, and I hope I'm going to be able to do it forever."
I was really sick of bands just ignoring the audience as a posture in rock music. And I think we fed off each other in terms of trying to engage the audience, not in a hammy way, but actually trying to be aware of the space that you are playing in and trying to connect in some way through the music.
Trying to be really dark and alienating just felt exhausting to me, so I started going back to the music that I grew up with, whether it was African music or pop music. It took me away from being overly self-conscious about what I was doing.
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