A Quote by Sam Smith

When I write music, it's very strange: maybe it's normal, but I see things in songs in different colors. — © Sam Smith
When I write music, it's very strange: maybe it's normal, but I see things in songs in different colors.
I always see my songs in colors, and I'm often more inspired by movies and photographs than I am by other songs when I write my music. I'm also inspired by fashion, and I want my music to be a visual painting of what's in my mind.
I see songs in colors; I see days of the week. Each day of the week I relate to a gender, and it's very weird. I can taste words sometimes. It's very strange.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
My father was always very interested in space. I watch Star Trek and all those things, but I always had a different picture in my mind... maybe closer to Alien. I don't see it in space as much as I do see it in different planets, with each having its own strange characters.
I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.
I always tell people I write songs, but I'm a writer. It's a difference. I can write songs to music, but I can write a story. I can see ideas spark in me.
My aim is always catchy songs, or songs with meaning and I want to write music people can relate to, about things anyone could go through, just real, honest music... songs that mean something, songs that are inspired by true life events.
When I write music, these colors pop out of me. It's hard to describe, but basically when I write music, I paint, and I add colors, and I add notes.
I would say the songs that have different lyrics. I always write the music first, and there's a couple of songs on this box set that have different lyrics from what ended up on the final recording.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
Those who have a personality like Balotelli do things that other people maybe wouldn't. Balotelli sometimes does things that look strange and unbelievable. But maybe for him it's just a way to feel normal. He doesn't want to cause problems or upset people.
I come from a very normal day job, a very normal upbringing, so I had six or seven years working in an office nine to five in human resources. I had the normal life and kind of thought maybe this is what I'm going to do for the rest of my life but still had that passion and that yearning for music.
I wanted to write songs which I think is a different thing. I wanted to write music that is informed by folk music. The chord progressions are obvious references.
I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.
I'd like to write songs for other people, see things from a different perspective. I'd like to watch things from the dugout instead of the pitch.
I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
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