A Quote by Sam Smith

There's always been a hunger in me not necessarily to be successful, but to be an icon. — © Sam Smith
There's always been a hunger in me not necessarily to be successful, but to be an icon.
Please explain to me what being an icon is. How do you define it? I haven't been given a script. I don't know what the dialogues of an icon are.
Hunger in the midnight, hunger at the stroke of noon Hunger in the banquet, hunger in the bride and groom Hunger on the TV, hunger on the printed page And there's a God-sized hunger underneath the questions of the age
I’ve always wanted to be liked. It grieved me that I was treated with indifference. Left an orphan by Fortune, I wanted—like all orphans—to be the object of someone’s affection. This need has always been a hunger that went unsatisfied, and so thoroughly have I adapted to this inevitable hunger that I sometimes wonder if I really feel the need to eat. Whatever be the case, life pains me.
I do not truly consider myself an icon, but the Cube has been quite successful.
There is always one thing that turns you into an icon, an iconic image: in my case, a catsuit. But the icon 40 years later doesn't really want to know because it's not relevant to me.
Hungry is a word that I've been analyzing here of late. It's not hunger that drives me, it's not hunger that needs to drive our football team. Hunger and thirst are things that can be quenched. We have to be a driven group, we have to seek greatness.
What can be said about chronic hunger. Perhaps that there's a hunger that can make you sick with hunger. That it comes in addition to the hunger you already feel. That there is a hunger which is always new, which grows insatiably, which pounces on the never-ending old hunger that already took such effort to tame. How can you face the world if all you can say about yourself is that you're hungry.
Forget horror icon, Kety Bates is an icon. She's an acting icon. I was raised on so many of her films, everything from Misery to Fried Green Tomatoes to Delores Claiborne, all films that I've watched multiple times and been inspired by.
If you go back to the hood in America, I think most of them look at me like an icon. An icon is somebody they wanna be. Somebody who can relate to everything that they're going through at the time. So, I'm definitely an icon.
When someone is successful, there's always a feeling that they were lucky. Luck plays a part, sure, but to be successful, you must have iron discipline. You must have energy and hunger and desire and honesty.
Hunger has always been more or less at my elbow when I played, but now I began to wake up at night to find hunger standing at my bedside, staring at my gauntly.
An icon means nothing to me. I don't understand what it means to anybody actually. It seems like a word of convenience. It seems to attend to the huge success of certain kinds of movies that I did, but there's no personal utility in being an icon. I don't know what an icon does, except stand in a corner quietly accepting everyone's attention. I like to work, so there's no utility in being an icon.
I was not necessarily the best student. I was not necessarily the favourite kid. I wasn't necessarily the most responsible or the most ambitious, and suddenly, when you get given celebrity, you get anointed with all these lovely qualities that you don't have, necessarily, but everyone assumes you must because you're successful.
I wasn't necessarily always funny, I don't know if I necessarily am - some would argue not - but I was definitely, always been a strange one. Definitely always an odd duck.
I don't think that there's a burning hunger in the wrestling world to see me necessarily wrestle anybody.
I was never conscious that I was becoming an icon or I'm not an icon, because my family, my kids, my husband keep me down-to-earth.
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