A Quote by Sam Tsui

My writing voice is a little quirkier, more singer-songwriter-y than the Top 40 stuff I cover. — © Sam Tsui
My writing voice is a little quirkier, more singer-songwriter-y than the Top 40 stuff I cover.
Being singer/songwriter implies versatility and being able to create more than one medium, and R&B artist is a box, simple as that. It is 'that's what you do, that's what you are', and that's a little unfair, to me, because I don't just do that. So I like singer/songwriter because it allows me to move a little bit more freely.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
Very unique: I was a singer-songwriter-guitarist. Very unusual in the late Seventies to find a singer-songwriter, and on top of that, a guitarist.
When you label something a singer-songwriter record, you cover many genres.
Well, I was in a band. I was the singer with a band called the Soul Satisfiers. I sang then quite a bit of Jazz and some Top 40 stuff.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer, songwriter, or find a singer to develop.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.
Anyway, in my performance style, I'm a singer-songwriter. People can call it neo-soul or R&B or whatever. But at the core, when you see me live, I'm a singer-songwriter.
I'm a little nervous. Definitely. Especially coming from an album like Biophilia, which was about the universe. This is more of a traditional singer/songwriter thing. When I started writing, I fought against it. I thought it was way too boring and predictable. But most of the time, it just happens; there's nothing you can do. You have to let it be what it is.
I think I come under the singer/songwriter badge. I've always written songs right from the very beginning. Because of my style of playing people tend of me more of a guitar player than a singer sometimes.
I studied piano and viola and voice in high school and music composition in college. For many years before I became an author I was a singer songwriter, writing for Disney and Sesame Street. I believe in perfect rhymes - no cheating!
I didn't want to be the crippled songwriter or the crippled singer. I wanted to be the singer or the songwriter who was crippled. I wanted to be larger than life and a man among men.
That little Miley Cyrus... she's like a little Elvis. The kids love her because she's Hannah Montana, but what people don't realize about her is she is such a fantastic singer and songwriter. She writes songs like she's 40 years old!
I feel like fans who like old Southern rock and country, and more lyric-driven songs in general, have come to country radio. I think that's why you see country radio growing and albums selling: People are craving a little more of the singer-songwriter stuff going on in country.
I tend to get a little quirkier and crazier with my lyrics and come from a different angle when I'm writing for myself.
Michael Jackson is an underappreciated songwriter and an underappreciated singer. I think the world only gives him the most recognition for his dancing. He was an awesome singer and an amazing songwriter.
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