A Quote by Sam Wanamaker
Since the theater is going to be reconstructed in the techniques of joinery craftsmanship as it was before, it will take longer to make. It will be a complex of buildings, not just the Globe, with a major permanent exhibition of the Elizabethan theater.
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I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.
Now the Gielgud Theater is a very famous old theater, because it was originally called the Globe, and the Globe is where my mother made her very first professional appearance in London, was at the Globe Theater.
This is more than just the rebuilding of the Globe, creating some kind of monument to Shakespeare which he doesn't need. His books are his monuments. But this will be a major center for the study of Shakespeare in performance. We are making the only faithful effort to restore the theater in every respect as close to the original as possible.
I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent.
The best movie theater in the world is in a dingy basement on Manhattan's Upper West Side. The worn seats are painful. There are probably bigger screens in half the apartments in the complex above the theater. And forget Fandango; the theater barely has a website. You want to buy a ticket? Get in line.
Of course, the Globe will be an international educational center as well as a theater.
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
I wasn't a trained actor, I was trained in musical comedy theater, and when you do that, the audience is completely part of the thing. It's like Elizabethan theater. You play the scene, and then you turn - the audience is part of it.
I have never written a musical. I have never written a weird, interactive piece of theater. I wanted to do something that would be disturbing. It will be disturbing theater with songs. There will be no people on wires. That's probably the next one of those things on my bucket list of things that I need to write before I get hit by that car.
I have to work hard and wear pants. I've worked really hard these last years, and since everything is coming together at the same time, I had to move the play back. I'm kind of in love with my theater agent. I'm a true naïve about the theater, a total innocent. He says to me, have you ever been to a rehearsal room? Do you realize you are opening at the Public in New York? You do understand that the audience will be New York theater people?
I trained at a conservatory as a mezzo-soprano and was a musical theater major in college so I had a theater background.
I do think that theater is a great venue for science fiction, and not just adaptations but also original work. I also think some of the greatest classics of theater have elements of SF, but in theater, as in publishing, sometimes people make arbitrary distinctions.
I tried to double major in Psychology & Theater at Loyola Marymount but felt I needed to concentrate more on theater.
Whether the theater is 1,000 seats or 500 seats or 200 seats, you have to make sure the person in the back of the theater can hear you and understand you. So there's a lot of articulation and a lot of voice in theater that really just isn't necessary when it comes to dealing with the camera.
If you want to change something by Tuesday, theater is no good. Journalism is what does that. But, if you want to just alter the chemistry of the moral matrix, then theater has a longer half-life.
’The Art of the Brick’ exhibition is accessible because it engages the child in all of us while simultaneously illuminating sophisticated and complex concepts. Everyone can relate to the medium since it is a toy that many children have at home. But my goal with this exhibition when it first debuted in 2007 was to elevate this simple plaything to a place it has never been before.
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