A Quote by Sam Wanamaker

When I first went to London to do a film in 1949, I naturally went to visit the site of the Globe. There was this small plaque on the side of a grimy brewery wall in a derelict alley near the riverfront. I was shocked.
I buy most of my plants from nurseries outside London these days, but there is a man who mysteriously appears each February to sell plants from a derelict site in Market Road. I think he's Greek, but people say he comes from Essex. He vanishes at the end of May only to reappear in December as suddenly as he went.
Now the Gielgud Theater is a very famous old theater, because it was originally called the Globe, and the Globe is where my mother made her very first professional appearance in London, was at the Globe Theater.
A grimy fly can soil the entire wall and a small, dirty little act can ruin the entire proceedings.
I think all artists want that plaque, whether it's Gold or Platinum or multi-platinum. I think we all look forward to getting a plaque and hanging it on your wall and having something to show for the music that you've created.
Trying to imagine E. M. Forster, who found Ulysses indecorous, at a London performance of Lenny Bruce—to which in fact he was once taken. Trying to imagine the same for a time-transported Nathaniel Hawthorne—who during his first visit to Europe was even shocked by the profusion of naked statues.
I became what I am today at the age of twelve, on a frigid overcast day in the winter of 1975. I remember the precise moment, crouching behind a crumbling mud wall, peeking into the alley near the frozen creek. That was a long time ago, but it’s wrong what they say about the past, I’ve learned, about how you can bury it. Because the past claws its way out. Looking back now, I realize I have been peeking into that deserted alley for the last twenty-six years.
London is a liberal city, in all senses of the word. It is a city built on the idea that the multitude of cultures that inhabit it are a benefit, not a curse, where communities from all over the globe live and work side by side, enriching each other's experiences.
My house is about equidistant from the Young's brewery and the Fuller's brewery. This is no accident.
In London, you can visit, in a way, every part of the globe within the span of a few streets. It's truly amazing and, whatever your mood, you're sure to find something to your taste.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
The battle between craft breweries and big beer stretches back to the 1990s, when the idea of buying a beer brewed by a small, independent brewery first took off.
I just adored working in London. It was in London where I first had the idea of making a film.
The first time I ever thought about doing a film seriously, I was in London. I was about 17 years old. I was just standing in the street, a bit dazzled by an Antonioni bus wipe, which by the way are inherent in London, and I imagined a film set in London starting out with the riff from The Yardbird's "Heart Full of Soul", and now, how ever many years later, I've done it.
I've been in and out of Wall Street since 1949, and I've never seen the type of animosity between government and Wall Street. And I'm not sure where it comes from, but I suspect it's got to do with a general schism in this society which is really becoming ever more destructive.
My agent in Sweden used to send off interview tapes but I decided to take it upon myself and come to London to visit casting directors which is when things first started taking off for me. I love Sweden but the industry out here is quite small so when I was given the chance to go internationally I took it.
The first time I found out that 'Boo'd Up' went platinum, I was handed the plaque. They really surprised me. I thought we were gold, and then Mustard and my managers brought the plaque to my rehearsals and told me. I was like, 'You are lying!' Like, I couldn't believe it. I'm just honored, honestly. It's a great feeling.
This site uses cookies to ensure you get the best experience. More info...
Got it!