A Quote by Sam Wanamaker
That first replica of the Globe that I saw at the Chicago World's Fair was a suspect thing, made of plywood and papier-mache. But I kept seeing other replicas at other fairs in the '30s, so I developed a longing to see London.
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In the dining room, next to my collection of colorful papier-mache Mardi Gras float art, hang draperies made of the New Orleans toile fabric that I designed pre-Katrina for Hazelnut.
Now the Gielgud Theater is a very famous old theater, because it was originally called the Globe, and the Globe is where my mother made her very first professional appearance in London, was at the Globe Theater.
Artists aren't really people. And I'm actually 40 per cent papier mache.
Artists aren't really people. I'm actually 40 per cent papier mache.
When I was 15 years old, I saw my first production of a Shakespeare play at the British pavilion at the Century of Progress World's Fair in Chicago.
People peep into boxes at moving stereoscopic prints, imagining they're in other worlds, and the crowd around a glassblower wonders whether icicles have formed in summer. Potted trees revive and suddenly look fresh when a florist sprinkles water on them, while papier-mâché turtles hanging out for sale move in the wind and take on souls.
If you want, you can have a coffin made out of cardboard or wicker or papier mache. There's one like a seed pod, or you could buy one that doubles as both a bookcase and a coffin. During your life, you stand it in your living room, and then after you die, the books are taken out and your body put in their place and the whole thing buried.
I invested in the 'Globe' because it is one of the best and most important news organizations in the world. We saw this vividly in the days and weeks after the tragic Boston Marathon bombings, and we also see it in many other ways every day.
What I want is an international monument to the world's greatest playwright. It would be an attraction that would be both educational and an automatic sight for tourists, like St Paul's and the Tower of London. It would be built with honesty and integrity not another Disneyland, but as nearly as possible a replica of the original Globe Theatre.
Some make you sing and some make you scream. One makes you wish that you'd never been seen. But there's a shop on the corner that's selling papier mache, making bullet-proof faces, Charlie Manson, Cassius Clay. If you want it, boys, get it here, thing.
Whoever eats anything at a wedding luncheon? They make the food out of papier mache. My salad had been used four or five times this week.
The Goose Fair was the cornerstone of the city's year. The smell of fairs is amazing: deep-fried donuts, hot dogs, the frying of onions. You never wanted to eat all your baby pink candyfloss - it was so sickly sweet - but seeing it made with a stick around the barrel was like magic.
One of my fondest memories from childhood is of looking at a globe with my father. "What's the biggest country?" he'd ask me and my sister. We'd spin the globe around and guess. . . . The globe brought me a sense of wonder and adventure. I wanted to go to those other places and see how people did things differently. And, many years later, when I did visit other countries, I took my father's interest and fascination with me. When we plant the seeds of fascination and respect for other people, we are teaching tolerance and peace.
First become a Zorba, a flower of this earth, and earn the capacity through it to become a Buddha - the flower of the other world. The other world is not away from this world; the other world is not against this world: the other world is hidden in this. This is only a manifestataion of the other, and the other is the unmanifest part of this.
Research is not seeing what others do not see, it is seeing the same thing as other people and thinking what they do not.
We are all very anxious to be understood, and it is very hard not to be. But there is one thing much more necessary.' What is that, grandmother?' To understand other people.' Yes, grandmother. I must be fair - for if I'm not fair to other people, I'm not worth being understood myself. I see.
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