A Quote by Sam Waterston

That's where I'd like to be: when the business says here's a good actor who is marketable so we can use him. Just that. — © Sam Waterston
That's where I'd like to be: when the business says here's a good actor who is marketable so we can use him. Just that.
I don't like when an Asian-American actor says, 'I'm entering this business to change Hollywood.' It feels like the wrong reason - I would prefer they entered the business for artistic reasons, because they need to do it.
My dear friend Randeep Hooda says I am more a unionist than an actor. I reminded him I was a star and not just an actor.
I was told, 'You are not beautiful and glamorous enough,' 'Oh no, you're too serious an actor...' 'You're not good enough an actor,' 'You are not so and so's daughter.' I was even told, 'You are not a big, marketable name.'
In the financial markets, however, the connection between a marketable security and the underlying business is not as clear-cut. For investors in a marketable security the gain or loss associated with the various outcomes is not totally inherent in the underlying business; it also depends on the price paid, which is established by the marketplace. The view that risk is dependent on both the nature of investments and on their market price is very different from that described by beta.
We laugh at a man who, stepping out of his room at the very minute when the sun is rising, says, “It is my will that the sun shall rise”; or at him who, unable to stop a wheel, says, “I wish it to roll”; or, again, at him who, thrown in a wrestling match, says, “Here I lie, but here I wish to lie.” But, joking apart, do we not act like one of these three persons whenever we use the expression “I wish”?
What I've discovered from working with my father is that I'm still learning. I'm just a kid in this business. And I've seen from my father transitioning into being a director, that's where the power lies. And, like he says, it's feast or famine for an actor. If you're not creating your own material, then you're just fighting for whatever's out there. I definitely have the desire to go to the other side.
I'm not in this business to win a popularity contest, I just want to be a good actor. Well, you've failed at being a good actor. Why not try for the popularity contest?
Just as the good actor perform well whatever role the poet assigns, so too must the good man perform whatever Fortune assigns. For she, says Bion, just like a poet, sometimes assigns the leading role, sometimes that of the supporting role; sometimes that of a king, sometimes that of a beggar. Do not, therefore, being a supporting actor, desire the role of the lead.
I think I have done well, if I have acquired a new word from a good author; and my business with him is to find my own, though itwere only to melt him down into an epithet or an image for daily use.
As a producer, sitting on the other side of the desk, I have never once had an agent go out on a limb for his client and fight for him. I've never heard one say, 'No, just a minute! This is the actor you should use.' They will always say, 'You don't like him? I've got somebody else.' They're totally spineless.
When you're in these movie deals and the studios are talking, they're putting business deals and packages together, but they're making calls based on previous relationships. They go, "Oh, let's call this actor because we did this with him, and he might like him. Does he like him? Let's piece them together." There's a brain behind that puzzle, and I want to be the brain.
Like every Aussie actor, I'd rather be working here; it's just we've all been forced to go to the States. Business-wise, as an actor, it's more lucrative, and there's also a lot more of it there.
It's no good in a scene to have one actor lie down because the scene says it's the other actor's moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment.
When I was a young actor, I just didn’t understand how to function in this business as an artist. It is a business, it’s called the film business for a reason, there’s money involved ... But on the flip side, now I do not let the business side of it rule either. It’s a balance.
I wasn't a class clown, I never developed this comedic flair as a kid. Even when I decided to become an actor, it was just to be an actor, not necessarily a comedic actor. I wasn't that guy who struck out with women so he became really funny, and that's when the women started to like him.
I'll go gentle on him, ... I promise not to rough him up too much. I just think him saying stuff like that is just him. He's like the Junior Witter of America, he hasn't got a good word to say about anyone expect himself. Personality wise, he's very different to me, that's for sure.
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