A Quote by Sam Waterston
I played Lucky in Waiting for Godot at Yale and it was a thing that Stanislavski talks about: he says you don't need his 'method' if you can count on your inspiration and it was a moment of inspiration that came to me, not in rehearsal but on stage. It hit me right there in the middle of the play and it was great - it travelled into immediate communication.
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All of modern acting comes from Stanislavski, who was the Russian partner to Chekhov. When Chekhov was writing his plays, Stanislavski was running his theater. And Stanislavski really was the first inventor of modern acting and then everything that came out of the method and Stella Adler and the great teachers really came out of him.
I was thinking (when he hit his 500th home run) about my mother and dad, about all the people in the Chicago Cubs organization that helped me and about the wonderful Chicago fans who have come out all these years to cheer me on. They've been a great inspiration to me.
Godot is whatever it is in life that you are waiting for: 'I'm waiting to win the lottery. I'm waiting to fall in love'. For me, as a child, it was Christmas. At least that eventually came.
A muse is something that serves a poet well early in his or her career. In later years one writers out of one's own driven inspiration. One learns to find inspiration rather than waiting for it to come for a visit. I can find inspiration almost anywhere.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
I was lucky to marry Paul. He was a great inspiration, his enthusiasm about wine and food helped to shape my tastes, and his encouragement saw me through discouraging moments. I never would have had my career without Paul Child.
Inspiration,' the false artist says,'it just comes to me.' And it shows.His pictures are as like as the four walls of his room -- morning, evening, midnight, noon. For myself, I have to search for it. The whole world is your palate, but only if you reach, take hold of what you need and pocket it.
I really do think inspiration comes from day-to-day life. I think there's things that pique our interest - not necessarily aha! moments - but things that just kinda make you raise your eyebrows. And those are often the moments that are the seeds of inspiration. Sometimes they're in a great conversation with friends, sometimes they're things you see live, something you read, a movie trailer you watch... I think inspiration is kind of laid out there. One thing we have to practice is recognizing when it happens, and recording that moment so we can come back to it.
Anyone who tries to make a living as a painter knows you can't lounge about waiting for inspiration to hit; nothing motivates like keeping a roof over your head.
Had I mentioned to someone around 1795 that I planned to write, anyone with any sense would have told me to write for two hours every day, with or without inspiration. Their advice would have enabled me to benefit from the ten years of my life I totally wasted waiting for inspiration.
The single thing all women need in the world is inspiration, and inspiration comes from storytelling.
I just feel I got my inspiration, education and all from others that came before me. And I added my... I don't even know if I added anything. I played what they played, and it sounded different, I guess.
Yes, and I can sit down on a white piece of paper and work because I don't believe too much into inspiration, only I'm waiting for inspiration, work and then inspiration may come. It's a little too easy to say that.
You can't manufacture inspiration, so a lot of it is still a waiting game for me. There's still a lot of mystery to songwriting. I don't have a method that I can go back to - they either come or they don't.
Don’t waste time waiting for inspiration. Begin, and inspiration will find you.
What I enjoy about the live experience is getting onstage, being handed a guitar that is in tune, taking it off mute, knowing that the very moment I want to play a note, I can play it. People are waiting on me and I'm waiting on me, and I have no idea what I'm going to play. That's the biggest joy in life.
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