A Quote by Sam Watkins
I always shoot at privates. It was they who did the shooting and killing, and if I could kill a wound a private, why, my chances were so much the better. I always looked upon officers as harmless personages.
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Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
All through first and second and third hour, Eleanor rubbed her palm. Nothing happened. How could it be possible that there were that many never ending all in one place? And were they always there, or did they just flip on wherever they felt like it? Because, if they were always there, how did she manage to turn doorknobs without fainting? Maybe this was why so many people said it felt better to drive a stick shift.
The set of 'Mayaanadhi' had a positive vibe. The shooting was during the rainy season. There were interruptions; some days we could shoot only one shot. But, we were happy in whatever we did.
My father, OK, when we first got old enough to hunt, this was his rule: If you shoot it, you come home and eat it. Otherwise you do not shoot it, OK? You don't just kill something for the sake of killing it, OK? If you kill it, you gotta grill it, so to speak.
It's always what you did before. The year before is always so much better. Even when the critics hated what you did then, it always looks better five years later.
When we were younger, playing a bar or a club, we did what we did to get as many people to like what we were doing. I wanted the person in the back of the room to like it as much as the ones in the front. That's how I've always looked at it.
Why did the rejection of the modelling industry get to me so much? I think the answer is that these rejections were based on how I looked and I had always prided myself on a healthy amount of self-confidence which I was now rapidly losing.
I always felt Harrison Ford looked like he's about to shoot himself when he's carrying his own gun. He always looked afraid; he's not just this tough guy, you know?
I'm not a nosy person, but I'm always thinking 'I wonder why he did that? I wonder why this week he was this much better than last week?' I'm always wanting to ask questions of people. I think my advice would be get involved locally and see where it takes you.
Radio did not kill books and television did not kill radio or movies - what television did kill was cinema newsreel. TV does it much better because it can deliver it instantly. Who wants last week's news?
My godfather was a Chicago policeman, and I've always looked at law enforcement as a challenging and interesting job. There are so many decisions that law enforcement officers have to make, and the incident or situation changes so much from moment to moment and day to day. I have a lot of respect for officers and what they go through.
When I was shooting 'The Dark Knight,' I always felt like I was shooting an intimate drama for some reason. The scenes were all intimate, and they were always between a few individuals.
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
I am determined not to kill, not to let others kill, and not to condone any act of killing in the world, in my thinking, and in my way of life. We cannot support any act of killing; no killing can be justified. But not to kill is not enough ... If in your thinking you allow the killing to go on, you also break this precept. We must be determined not to condone killing, even in our minds.
Among the aimless, unsuccessful or worthless, you often hear talk about 'killing time.' The man who is always killing time is really killing his own chances in life. While the man who is destined to success is the man who makes time live by making it useful.
First let me report that the art in the Barnes Collection has never looked better. My trips to the old Barnes were always amazing, but except on the sunniest days, you could barely see the art. The building always felt pushed beyond its capacity.
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