A Quote by Sam Worthington
When I was in my 20s, I thought I knew who I was. And then as soon as I turned 30, I realized that I have bruises and bumps and dark parts. And you kind of go, well, that's it. I'd rather embrace it than force myself to change.
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When I was in my 20s, I thought I knew who I was. And then as soon as I turned 30, I realized that person has bruises and bumps and dark parts. And you kind of go, well, that's it. I'd rather embrace it than force myself to change.
Just because I do what I do doesn't mean I escaped adolescence, all the bumps and bruises that go along with it.
My dad has kind of been the standard for me, he played 16 years in the league, and since I've been in the league, every year that I go through and deal with the scratches, the bumps and bruises, just the grind that it is to go through one NBA season.
I know from the elders that it's not so easy to sustain a life in music, a presence in the music world, for decades on end. And that's what we're here for: we're thinking about the long game. If that is dependent on other people's desire for me, then it becomes extremely vulnerable to change. Rather than subject myself to that vulnerability, I'd rather embrace change and allow myself to transform, and maybe that means that what I do next week, the people who liked me last week won't like anymore, but maybe that will also lead people to like something else.
Love is such a powerful force. It's there for everyone to embrace-that kind of unconditional love for all of humankind. That is the kind of love that impels people to go into the community and try to change conditions for others, to take risks for what they believe in.
When I turned 30, I realized how ignorant I really was. I always thought I had a very accomplished life.
As far as change, anyone from the age of 13 to 19, you become a whole new person because you grow up. There was so much that I didn't know or that I thought I knew because I was just a 13-year-old at the time who thought I knew everything. But I realized very quickly that, no, there's so much about everything that I don't. So what I've at least tried to do is accept that I don't know everything. Life is so much more fun that way. And it's easier. I've just been trying to learn, rather than to pretend that I'm perfect.
Actually, when John died, for the first time I thought - for the first time I realized how old I was, because I'd always thought of myself - when John was alive I saw myself through his eyes and he saw me as how old I was when we got married - and so when he died I kind of looked at myself in a different way. And this has kept on since then. The yellow corvette. When I gave up the yellow corvette, I literally gave up on it, I turned it in on a Volvo station wagon.
I just turned 30 so I got really introspective as you do, questioning my life. And when I stopped and sort of looked back at the past decade, I realized I had done more work than I thought I had done.
Speed bumps, I was thinking, you know, you're driving along, everything's OK, and then there's a speed bump to go, 'Slow down.' Go over it real slowly, and you hit the pedal, and you keep going, and I just thought it was kind of a nice metaphor for life.
In my 20s, I was leaving university, getting married, or having a baby. And then, in my 30s, I was just keeping my head above water. When I hit 40, I thought, 'I have got to get a grip of my life and really point it in the direction I want it to go rather than just swim hard against the current.'
Even if I turned myself in, it wouldn't change anything. It wouldn't make me one of them. I knew that when I got my powers, but really I knew it before then. I learned it as a child on my first day of school, on the warm rainy streets of Bangkok, and in college. If you're different you always know it, and you can't fix it even if you want to. What do you do when you find out your heart is the wrong kind? You take what you're given, and be the hero you can be. Hero to your own cold, inverted heart.
I thought you'd be arguing [in the law school], and then I realized you have to read all these cases, and it's mostly writing, and then I just thought, "Well, I might as well stay and get the degree."
I've always known that I've wanted to write, but I always saw myself doing that in the context of something other than film, so it was a really beautiful and kind of perfect moment in my life when I realized that I could combine this idea of wanting to write and tell my own stories with the environment I had grown up in and knew well - that I could make film as opposed to writing being a departure from what I knew.
There was recently a story out that I turned down a role in a major franchise. That's not true. I refused to audition for it. I didn't get the part. I didn't even go in because I thought that the part was just a repackaged version of the parts I played before in these young adult films - sort of moody, masculine, but sensitive and all this kind of thing. It was just a repackaged, rather dull thing.
[When] Johnny Mnemonic was coming out and I realized that all the kids that worked in 7-11 knew more - or thought they knew more - about feature film production than I did. And that was from reading Premiere, that was from this change that came from magazines that treat their readers as players. Magazines that purport to sell you the inside experience.
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