A Quote by Sam Worthington
One of the best movies of the year was 'Rise of the Planet of the Apes.' That's not just an action movie - it's a prison film.
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What I thought was so great about Rise [of the Planet of the Apes ] was that it wasn't a retelling; it was an entering of the universe at a different point. So it's Planet of the Apes. We already know the ending. There's no mystery in that! It becomes Planet of the Apes. So it's not about what is at the end; it's about how did we get there? And that enabled something that was totally fresh, which was an ape-point-of-view movie.
Like some of my other movies, 'Conquest Of The Planet Of The Apes' is also a very political film, and many critics still consider it even the best of all the Apes movies, because it conveys a series of political viewpoints.
I actually liked Rise of the Planet of the Apes. I remember just watching it and being pleasantly surprised with that movie. I didn't think it would be as good as it was, so I love that movie.
'Dawn of the Planet of the Apes,' while not nearly the masterpiece proclaimed by many critics, is certainly a fascinating cross-species: a big-budget summer action fantasy with a sylvan, indie-film vibe, and a war movie that dares ask its audience to root for the peacemakers.
For whatever reason, I think we have one type of animated movie and it's so wrong. I want to do a drama, I want to do an action, a comedy. In live-action, there are all sorts of movies. There's independent movies, big movies, action movies, funny movies, and for us we have one movie.
In a weird way, if you look at all the 'Apes' movies, they all seem like different stories in the same universe. 'Beneath the Planet of the Apes' is definitely a continuation, but the other ones jump all around chronologically.
Nowadays the movies that people are going to see in the theaters are the big-event movies, like Spider-Man or something, or they're 25-year-old models who are vampires, or they're very broad comedies, or they're standard action movies. So if you're going to work for a studio and do a movie for the budget that the movie needs, those are the kinds of movies you'll be in.
I wanted to explore the possibility that this could have become 'Planet of the Humans and the Apes' instead of just 'Planet of the Apes,' so I wanted there to be this hope of connection as well as this inexorable pull towards what we know the series becomes.
Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie.
Battle For The Planet Of The Apes', was just a film for kids and didn't have any deep meaning.
'Battle For The Planet Of The Apes', was just a film for kids and didn't have any deep meaning.
I'm just a giant film fan, so I love action movies out of all kinds of movies. As a film geek, it's amazing to be able to shoot this stuff.
When I first was offered the role on Rise [of the Planet of the Apes], I always played Caesar as a human being within ape skin.
If 'Star Wars' wasn't enough to prepare me for a dark future, there was the 'Planet of the Apes' franchise, conveniently repeated for me in Los Angeles on KABC's Channel Seven 3:30 movie. Apes enslaving humans! Mutants with boils and an atom bomb! Ape riots in Century City! They killed baby Caesar's parents!
My family loves movies. My dad and I used to eat a huge breakfast, and then we'd just go hang out at the theater all day together. We loved movies like 'Indiana Jones' and 'James Bond.' We were both big action-adventure movie fans. So I kind of grew up with an appreciation for film.
I'm a big fan of the 70's action films. Where there is a lot of character and a lot of great action, but the action is kind of cemented with a great back-story with characters. And I thought, this kind of reminded me of the movies that, early on when I was telling Dwayne (Johnson) and the guys, the producer... my whole thing is if you look at a movie like The Driver by Walter Hill, it's a film where there's no names. They are just named, "the driver", "the cop".
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