A Quote by Sam Worthington
I sign on to any project because of the director: because they won't change, and you've got to feel confident that you're in good hands, in their vision.
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I'm always confident when I sign up for a project that it's going to be good. That's why I sign up for it.
When you take a director off a project, that makes a person feel humiliated because everyone knows it. But we're responsible because we put them in that position.
If you have a vision or if you believe the director has a vision, then at least you've got something to talk about, something to try and head to and I think that's mandatory for every director to have to do a good job.
There are some movies that you feel like doing because of the script. Some because it sounds like fun, some because that's the director you want to work with, some because it's a project that you want to be involved with, and some because you will be paid lots of money. But the bottom line is I must feel like doing it.
Just because I haven't yet had any project surgery, I'm not going to knock it, because I think women have the right to do whatever they want to their bodies that make them feel good about themselves.
David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense.
I think it's nice when you come into the room and the director has a plan, a vision of exactly what he or she wants the piece to be. Because when that happens, then you feel safe. You feel safe to make choices and to do something big and just fly because there's a structure around you.
It's sometimes discouraging to see all of a director's movies, because there's so much repetition. The auteurists took this to be a sign of a director's artistry, that you could recognize his movies. But it can also be a sign that he's a hack.
A director is the captain of the ship; he gets the vision of the film much before anyone else can. While I want to experiment with characters, I know a good director means I am in safe hands.
As an actor, you're always at the service of somebody else's vision. In a play, it's more of the director's vision, and he or she's got their hands on you all the way up to opening night, and if it's a film, there are even more people.
Tobin Bell wasn't obligated to do the second Saw film but he wanted to. I think they brought me into this film because there's a first time director, and my reputation is one of an actor who's there for the betterment of the project. I'm not there to better myself. I'm there to bring all my resources to the project to make it as good as it can be. In the end, that makes everyone look good.
I like to audition for good projects because if it's a good project, it's an opportunity to get in front of a casting director.
So yeah, a good director will be able to listen and hear everything, but have a confident vision of his own that he can say, 'oh yeah - that's a great point.' And you never know; often you can help far more than you think you can, because there's so much more that he's juggling than an actor.
As an actor, you've got to have faith in the director's vision, that the director has a vision for this that is greater than the critics say.
There were offers from a few Bollywood filmmakers, but I was sceptical as to whether those films will do justice to my vision or even my life. I was also apprehensive because what if I sign an agreement and give the rights to some filmmaker, and he shelves the project?
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
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