A Quote by Sam Worthington

Most actors go, 'I read the script and fell in love with it'; I fall in love with the directors. — © Sam Worthington
Most actors go, 'I read the script and fell in love with it'; I fall in love with the directors.
Most actors go, I read the script and fell in love with it; I fall in love with the directors.
I remember when I read the screenplay for 'Sicario,' I fell in love with it, but at the same time, I went, 'Oh no, not again.' I mean, I would love to fall in love with something that is more light, like a rom-com or a comedy. I would love to. Because it's very demanding to go to dark places like this.
Most actors really love it, that's what they want to do. They burn to do it. And so they'll read a script and think, that's an interesting part. And because they love acting, that blinds them to the fact that the rest of it is pretentious nonsense, which it very often is.
I fall in love with every film while I'm doing it. I fall in love with the directors, I fall in love with the process. I don't think I could do it otherwise.
My manager got the script for 'Under the Dome,' and I read it and just fell in love with the character. I grew up on Stephen King, and I love his whole aesthetic of the classic American story with supernatural events happening, so it just made sense.
My manager got the script for Under the Dome, and I read it and just fell in love with the character. I grew up on Stephen King, and I love his whole aesthetic of the classic American story with supernatural events happening, so it just made sense.
As he read, I fell in love the way you fall asleep: slowly, and then all at once.
I thought I would be at United for a couple of years, maybe three or four, and then go abroad somewhere. But I just fell in love with Manchester United. I fell in love with winning, fell in love with the history of the club and being part of it was something I could never have imagined.
When you work with directors who really love actors, who love their contribution, it feels amazing. But sometimes when you work with directors, you feel like youre in the way.
When you work with directors who really love actors, who love their contribution, it feels amazing. But sometimes when you work with directors, you feel like you're in the way.
There was just a moment when I fell in love with singing, probably when I started listening to Ben Howard and his album 'I Forget Where We Were.' I fell in love with that album, and that album really made me fall in love with singing.
You're not a star until you love yourself. Directors, yeah, they've got to love their own philosophies. But actors have to really love themselves.
'Sparkle' fell into my lap. I had heard a little bit about it, that it was being redone in early 2011. I was just kind of like, 'Oh, that would be really cool,' and not really thinking too much about it, and then it came through my agency. I read it, I fell in love with the script and I went in to audition.
You don't fall in love because you fall in love; you fall in love because of the need, desperate, to fall in love. when you feel that need, you have to watch your step: like having drunk a philter, the kind that makes you fall in love with the first thing you meet. It could be a duck-billed platypus.
The thing about Dickens is you either love him or you hate him and I fell in love with Dickens, I fell in love with his prose style and I decided that I wanted to read the whole Dickens verve during the course of my life.
I fell in love with filmmaking. I fell in love with criticism. I fell in love with theory, and it made me really dogmatic in my approach to choosing roles.
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